There’s no denying that tattooing is an art form that takes countless hours to master. However, for some artists, even endless hours of practice might not help make their hands steady or their ideas good.
As you’ve probably already guessed, today’s list is all about tattoos; the ones that might make your jaw drop, but arguably for all the wrong reasons. Below you will find some of the worst tattoos people have ever seen, as shared by two ‘Ink Shaming’ groups on Facebook, which show that being a tattoo artist might not be for everyone.
So, if you’re looking for inspiration for what not to get, scroll down to find the unfortunate tattoos on the list below, where you will also find Bored Panda’s interviews with two tattoo artists, Steven Bugeja and Eliot Kohek, who were kind enough to answer a few of our questions.
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Some time ago, tattoos might have been considered “shocking” or something out of the ordinary. However, nowadays, they’re not only widely accepted but admired, too; unless, of course, they are as bad as the examples on this list.
According to the Pew Research Center’s data from 2023, close to a third of the adult population in the US has at least one tattoo; over 20% of them have more than one. So clearly, having your skin adorned is not that uncommon, be it something rather small or a tattoo covering your entire back.
Many people think long and hard about getting a tattoo. For some others, it might be a spur-of-the-moment decision. But no matter the case, it’s always a good idea to discuss what you have in mind with the tattoo artist first.
According to Steven Bugeja, a New York-based realism tattoo artist at Monolith Studio, that is absolutely essential. During a recent interview with Bored Panda, he emphasized that clear communication helps the artist understand the client’s vision and ensures the design fits their expectations.
“It also builds trust and allows the artist to approach the project with the right mindset. Great tattoos are born from great conversations,” he said.
Eliot Kohek, a realism tattoo artist based in Annecy, France, seconded the idea that discussing your tattoo idea with the artist before getting it is crucial.
“It helps make sure the client is truly decided and knows what they want, while also being open to guidance once they’ve chosen an artist whose style they trust,” he said. “That trust is key – there has to be a strong connection between the artist and the client for them to be able to create something meaningful together.”
Talking about things to consider before getting a tattoo, Bugeja advised starting with looking into different styles.
“First, research styles and find what speaks to you. Then, look for an artist who specializes in that style and has a strong portfolio. Once you find the right fit, trust them. A good artist will guide you, offer suggestions, and deliver something that not only looks great but also holds up over time. Also, be prepared. Consider your budget, the placement, and the healing process.”
If you talk your idea through with the artist and consider such things as the style and the placement, among other things, you should be left with an excellent tattoo. But what makes it a good one?
Well, according to Bugeja, a good tattoo “tells a story, flows with the body, heals well, and has a strong visual impact without being overdone.
“It should feel natural on the skin and reflect both the client’s vision and the artist’s unique style,” he told Bored Panda. “Originality and technical execution are key.”
In addition to learning what makes a good tattoo, we also wanted to know how people end up with masterpieces like the ones on this list. In Bugeja’s opinion, there are several reasons for this.
“One of the biggest mistakes is choosing an artist based on price rather than skill. You really do get what you pay for. Another is poor communication. If you can’t clearly express what you want, the outcome may not match your expectations. Picking the wrong style for your body or not following proper aftercare instructions can also affect how the tattoo heals and looks long term.”
According to Kohek, bad tattoos usually come from rushing things, picking the wrong artist, not knowing what you really want, or not listening to advice. “Also, poor aftercare can ruin even a good tattoo,” he added.
“Since I work in dark realism, for me a good tattoo is a piece that fits the client perfectly, it follows the body’s lines, it’s solid and well-contrasted, and it has a strong visual impact,” the artist shared, talking about what is a good tattoo in his eyes. “It should be easy to read and instantly give off an emotion when you look at it.
“There are so many great styles and talented artists nowadays. The most important thing is to choose the right one, go with your gut, and once it feels right, just go for it.”
Summing up his thoughts, Bugeja suggested thinking of a tattoo not as a product, but as an investment in yourself. “Take your time, find the right artist, and think long term,” he said. “You only get one shot, make sure you get it right the first time.”
You face blurred the child...and then did not face blur the tattoo that is obviously the child's face. Beautiful.
This one is the least bad. Consistent theme and the work isn’t terrible.
If the bottom bit is supposed to be Judas, I kinda like the approach the artist took here, but I can certainly see how it wouldn't be for everyone.
It's okay. Not very beautiful, but also not super ugly. And a big tattoo like this is gonna cost a lot of money from a tattooist who can draw very beautifully, not everybody can afford that. So if this guy would rather have a mediocre big tattoo than a beautiful small one, there's nothing wrong with choosing this.
It's hyper-something, but "realism" is not the first word that comes to mind
Wow!! I read this completely wrong, the first 3 times I read it. It says therapists, as in one word, not two. 🤦🏻♀️
That's my cousin Matthias. He was born with a congenital deformity of his nostrils. Very sad. It doesn't affect his breathing, though!
I'll bet the original drawing the artist was working from is extremely cool.
