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30 Interesting Behind-The-Scenes Pics That Might Give You A New Perspective On Moviemaking, As Shared On This Page
Lights, camera, action! When you imagine a film set, you might picture a demanding person sitting in their classic director’s chair shouting commands at PAs and actors. And of course, there’s always someone holding a clapperboard before each take. But if you're curious about what actually went on behind the scenes of all of your favorite films, you’re in luck.
Down below, you’ll find a list of some of the most fascinating posts from the “Behind the Clapperboard” Facebook page. From pics of Steven Spielberg chilling with Tom Hanks off-screen to shots of the cameramen and women who captured the world's most iconic scenes, we’ve got something for all cinephiles on this list. Enjoy learning a bit more about the film industry, and be sure to upvote the pics you find most fascinating!
This post may include affiliate links.
#1
The Terminator (1984). James Cameron
Cinematography: Adam Greenberg
Terminator Stop Motion: Pete Kleinow
Mavis 2 years ago
I miss the days when special effects were models not CGI. Feels more authentic.
Bookworm 2 years ago (edited)
i don't necessarily agree that it's more 'authentic;' I think CGI absolutely has its place and there are some amazing movies that absolutely could not have been done without it. I do think a lot of movies have lost a necessary sense of balance between the CGI and the practical. (It's one of the things Marvel has always been good at, even in their objectively bad movies.) Every time I rewatch Disney's Dinosaur, it still amazes me. That was the first full-length CGI movie, and a lot of the work somehow still holds up. I know everyone thinks it's a boring movie, but it's an amazing use of CGI combined with practical effects. Every one of their characters was built in a computer, but they were also flying around the world to stitch together scenery shots, and charging through the woods in jeeps at high speed in the dead of night, setting off explosions and trying to keep the embers from burning through their hats. Both the CGI and the real-life filming were a labor of love.
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#2
The Hunt For Red October (1990). John McTiernan
Cinematography: Jan de Bont
Photo by: Bruce McBroom
#3
True Lies (1994). James Cameron
Cinematography: Russell Carpenter
Camera Operator: James Cameron
Stunt Coordinator/Arnold Schwarzenegger Stunt Double: Joel Kramer
Jamie Lee Curtis Stunt Double: Jamie Lee Curtis
Photo by: Zade Rosenthal
Brittania Kelli 2 years ago
Jamie Lee Curtis Stunt Double: Jamie Lee Curtis? Amazing, she looks so elegant, I'd be flappy flipping all over the place, while she looks like a ballerina.
Andrea Pereira 2 years ago
Probably some typing error. Actors doing their own stunts isn't something welcomed by the insurance companies.
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Delight Disaster 2 years ago
She did this stunt but they told her it was only going to be a few feet off the ground and went a lot higher- the fear is genuine
Nitka Tsar 2 years ago
If they did it on purpose, then I would sue them if I was her. I hate it when I read about movie makers doing stuff like that.
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The Behind the Clapperboard Facebook page has been around since 2014, sharing a side of some of the most fascinating moments in film history that most of us never get to see. From pictures of iconic directors to reveals of how some of the most memorable moments were recorded, this page has it all. And clearly, it’s captivated many viewers, as it has amassed an impressive 250k followers. The account’s description shares a quote from the beloved Martin Scorsese, stating, “Cinema is a matter of what's in the frame and what's out.” And it certainly does a great job of giving us a glimpse into that “out of frame” side we rarely get to see.
Chances are you love watching films, but have you ever considered why the art of filmmaking is so important to society? According to Paul Jenkins at Brilliantio, watching movies is more than just a fun activity to do on a date or with your best friends on Friday night. (Although, it can be that too!) Ask any cinephile, and they’ll tell you in great detail how much painstaking effort goes into creating a beautiful film. Every choice is well thought out and intentional, and finding all of the brilliant, hidden details is the most exciting part for avid viewers.
#4
Jaws (1975). Steven Spielberg
Cinematography: Bill Butler
Production Designer: Joe Alves
Photo by: Louis Goldman
Xenon 2 years ago (edited)
? The shark's name was Bruce.. Edit: Someone pointed out that was the caption, I missed that at first.
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Xenon 2 years ago
Land sharks? Bonus points if you get the Saturday Night Live reference.
Load More Replies... Xenon 2 years ago
The vast majority of sharks killed is due to shark fin soup. Obtaining the shark fins is a super s****y practice.
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Onion Patch Petunia 2 years ago
If you would be more careful about what you eat, your nose wouldn't get stuffed up with stuff
#5
Star Wars (1977). George Lucas
Cinematography: Gilbert Taylor
Photo by: John Jay
Elita One 2 years ago
They hid the wheels on the Speeder by simply using some reflective sheet metal, in the bloopers for A New Hope there's a scene where all the metal came off, showing the wheels.
Mugwump Mugwump 2 years ago
Sometimes, it was on a large arm so had no wheels.
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Onion Patch Petunia 2 years ago
This is the scene where Alec says Okay, you guys go ahead and stand around in the Sun I've got better things to do
#6
Psycho (1960). Alfred Hitchcock
Cinematography: John L. Russell
Camera Operator: Leonard J. South
Script Supervisor: Marshall Schlom
Photo by: Eugene Cook
Little Wonder 2 years ago
They're acting, they don't need to be in the mood.
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Ed Brandon 2 years ago
She's not got her feet on the floor! Scandalous! (that was actually a thing in film production at the time)
Onion Patch Petunia 2 years ago
Along with twin beds and heaven forbid he put a toilet in the bathroom. -. And used it!
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Must Be Bored Again 2 years ago
And there is Mr. Hitchcock standing in the back, just twiddling his thumbs.
Jenkins goes on to note how important films are for pop culture. “Today, film is considered one of America’s most popular art forms and perhaps even its most significant contribution to world culture,” he writes. “It’s hard to imagine what our lives would be like without motion pictures – those flickering images projected on a screen that have become iconic representations of our inner and outer realities, conveying ideas and feelings from one person or culture to another through space and time.”
Filmmaking is also a massive industry worldwide that has provided jobs for thousands of people involved in acting, directing, music making, production, screening, distribution and more. Even producers of popcorn kernels and celluloid raw materials used to print films on reels rely on this industry. And if you’re ever traveled to see the Hollywood Walk of Fame or a Universal Studios tour, you’ve contributed to the movie world’s tourism as well.
#7
E. T. The Extra-Terrestrial (1982). Steven Spielberg
Cinematography: Allen Daviau
Onion Patch Petunia 2 years ago
Okay, now all you doubles get lost we got to have the kids back for close-ups
#8
Rocky II (1979). Sylvester Stallone
Cinematography: Bill Butler
Steadicam Operator: Garrett Brown
Photo by: Christine M. Loss
Adrienne Heath 2 years ago (edited)
I was actually named from this movie! I was born the year it was released and my Dad was a HUGE fan. (I'm just glad he picked Adrienne and not Paulie😂😂) If I had a nickel for everytime I've heard "YO Adrienne!!" I could've retired at 25!! 🤭🤭🤭
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RafCo (he/him/ele) 2 years ago (edited)
As a Philadelphian (not native), it makes me sad that the city's favorite sports hero is a fictional boxer. Especially since two of the greatest boxers in history are from Philly: Smokin' Joe Frazier and Tommy Loughran
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LovingKnuckle 2 years ago (edited)
No it’s 2. He runs the steps in both movies. In the first when he is a nobody gets to the steps and no one is around. In 2 he’s the hometown hero and there is a crowd like you can see here.
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The Shining (1980). Stanley Kubrick
Cinematography: John Alcott
Camera Operator: Kelvin Pike
Focus Puller: Douglas Milsome & Maurice Arnold
Chrissie Anit 2 years ago
The way Shelley Duvall was treated? Definitely.
Load More Replies... Must Be Bored Again 2 years ago
She lost her soul in that movie. I couldn't imagine doing those scenes over and over and over again. Became real terror for her.
Jennifer Gilmore 2 years ago
I watched this with my teenage daughter during the initial months of covid lock down, immediately followed by Dr Sleep. She is quite the scary movie enthusiast. In her opinion, The Shining was scarier than Dr Sleep.
Films give many of us a way to escape from the monotony of our everyday lives or a way to feel love, wonder and excitement when we’re struggling in our own lives. “Movies are the only art form that allows us to identify with the characters on an emotional level,” Jenkins writes. “We see them as people struggling with real problems and facing real challenges. We live vicariously through them and find our fears, desires, hopes, and aspirations.” Whatever we do or don’t want to experience for a few hours, we can find a film to take us to or out of those places.
#10
Alien (1979). Ridley Scott
Cinematography: Derek Vanlint
Photo by: Bob Penn
Katie Lutesinger 2 years ago
Fun fact: the spacesuit wearing actors in this scene are kids, because that made the model look even bigger.
#11
Point Break (1991). Kathryn Bigelow
Cinematography: Donald Peterman
Boom Operator: Geoffrey Patterson
Photo by: Richard Foreman Jr.
#12
Quantum Of Solace (2008). Marc Forster
Cinematography: Roberto Schaefer
Stunt Double: Daniel Craig: Bobby Holland Hanton
Head Stunt Rigger: Diz Sharpe
Photo by: Susan Allnutt
Stary_cat 2 years ago
I kinda love how the camera people have to do stunts omtuimel following the actors, but they get no recognition for all they do
JoNo 2 years ago
A small gesture, I know, but after watching a movie I will sit until the end of the credits because I want to acknowledge how so many people it took to make the movie. At the cinema I have to meet up with my family in the foyer :)
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Anett Szondra 2 years ago
And who is the stunt double for the camera man? No one. And we still don't talk about them. Same when you watch a survivalist nature doc and the narrator/main guy acts like he almost died because it was so dangerous. Man, there is a guy behind you, doing the same s**t with a camera and equipment and all that!
A great film also makes viewers think. There might be messages about social issues, politics, religion, hope, love, triumph, and more that will stretch audiences’ empathy muscles. We can see the world of a character who is completely different from ourselves for a few hours, someone we may have never encountered in our real lives. And films that present these new ideas can be great voices for social change.
“When films about war reflect the real world with gritty realism, rather than showing stylized depictions of soldiers marching into battle under waving flags, they can profoundly affect how viewers think about issues of war and peace,” Jenkins continues. “For example, the movie Saving Private Ryan depicted the horrors of World War II with gruesome special effects; the opening scene focused on the gruesome deaths of several characters-many viewers couldn’t watch it!”
#13
Saving Private Ryan (1998). Steven Spielberg
Cinematography: Janusz Kaminski Photo by: David James
Ronnie Beaton 2 years ago
And that would be the film's military adviser, Capt. Dale Dye, standing with his hands behind his back.
#14
Joker (2019). Todd Phillips
Cinematography: Lawrence Sher
Photo By: Niko Tavernise
Tamra 2 years ago
It's amazing that actors manage to do what they do, with a crew of people around them like that. It's an interesting process.
JM 2 years ago
Yes, it’s amazing actors can maintain their focus when surrounded by cameras and crew - makes performances like this new all the more special given the focus he had to have.
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#15
Indiana Jones And The Last Crusade (1989). Steven Spielberg
Cinematography: Douglas Slocombe
Camera Assistant: Martin Kenzie
Dolly Grip: Colin Manning
Photo by: Murray Close
Vía Pedro Barnett-College Penella
Prior to the pandemic, in 2019, 792 films were released in the United States and Canada. So clearly, there are hundreds, if not thousands, of directors out there working hard to put their best stories onto the screen. But when it comes to some of the most impactful directors the world has yet to see, Paul Jenkins provides this list: Alfred Hitchcock, Steven Spielberg, Walt Disney, Martin Scorcese, Kathryn Bigelow, Roman Polanski, Jane Campion, George Lucas, Agnés Varda, Brian De Palma, Mira Nair, and Quentin Tarantino. And as far as films that have had a major impact on society, Star Wars, The Sound of Music, To Kill a Mockingbird, Schindler’s List, Star Trek, Taxi Driver, Close Encounters of the Third Kind, Jaws, and Thelma and Louise are some of the world’s favorites.
#16
Skyfall (2012). Sam Mendes
Cinematography: Roger Deakins
Photo by: François Duhamel
#17
Goodfellas (1990). Martin Scorsese
Cinematography: Michael Ballhaus
Camera Operator: David M. Dunlap
Photo by: Barry Wetcher
#18
The Shining (1980). Stanley Kubrick
The Shining (1980). Stanley Kubrick
Cinematography: John Alcott
Luis Hernandez Dauajare 2 years ago
Damn... even the behind the camera photos are shot perfectly...
As most of us don’t work in the film industry, there are plenty of aspects of the industry that are total mysteries to us. So we consulted this list from New Dawn Films of unique filmmaking facts that you’ve likely never heard before. For example, did you know that both Steven Spielberg and James Cameron never went to film school? “They also both don’t like to recommend students to do it. What they both advocate is for filmmakers to keep practicing and building their reel until they have enough experience to work on paid directing jobs,” the New Dawn team writes.
#19
Apocalypse Now (1979). Francis Ford Coppola
Cinematography: Vittorio Storaro
Camera Operator: Piero Servo
Key Grip: Alfredo Marchetti
Must Be Bored Again 2 years ago
Check out the calf muscles on the guys that are the muscle to moving that camera setup down the rails.
#20
Alien (1979). Ridley Scott
Cinematography: Derek Vanlint
Photo by: Bob Penn
#21
Skyfall (2012). Sam Mendes
Cinematography: Roger Deakins
Serial pacifist 2 years ago (edited)
Get out of ze choppah! (And you read it in Arnold’s voice, didn’t you?)
Vinita Talaulikar 2 years ago (edited)
In the Skyfall movie the house is huge. With Daniel Craig and Judi Dench hiding to save their lives.
“Being a strong INTJ, Stanley Kubrick actually shot, produced and created his first ever short film project in 1935! He then went on to sell it even though at that time, it was completely unheard of, especially from a relatively unknown filmmaker,” the New Dawn team goes on to write. And when it comes to letting film distributors get sneak peeks of movies, it’s recommended for directors to allow them all to see the film at the same time at the same place. Apparently, if one distributor sees the film and decides it’s not so great, they’ll spread that information like wildfire.
#22
Jaws (1975). Steven Spielberg
Cinematography: Bill Butler
Camera Operator: Michael Chapman
Photo by: Louis Goldman
#23
Return Of The Jedi (1983). Richard Marquand
Cinematography: Alan Hume & Alec Mills
Camera Operator: Peter McDonald
Photo by: Albert Clark
Elita One 2 years ago
I got to see the original props and costumes from the OT and prequal movies in Sydney. Fun fact, the only part of left of the Jabba The Hut puppet is the eyes, the rest was lost in a fire.
Onion Patch Petunia 2 years ago
Hey you in the fat suit whatever they told you fat suits don't get Oscars
#24
Iron Man (2008). Jon Favreau
Cinematography: Matthew Libatique
Photo by: Zade Rosenthal
As far as sounds in films go, it’s possible that you’ve noticed the same exact ones many times. In fact, there’s one scream in particular that’s been used in over 200 movies: the Wilhelm Scream. Apparently, this iconic sound was recorded over 60 years ago and is often used when a character is shot or falls off a building. The first time this scream was utilized was in the 1951 film Distant Drums, and since then, famous directors like Quentin Tarantino and Peter Jackson have been known to use it.
#25
The Ten Commandments (1956). Cecil B. Demille
Cinematography: Loyal Griggs
David Paterson 2 years ago
OMG. The flood scene. Actors really got washed away in that flood. I don't mean stunt doubles, I mean the main actors.
#26
Poltergeist (1982). Tobe Hooper
Cinematography: Matthew F. Leonetti
Photo by: Bruce McBroom
Marilyn Russell 2 years ago
Poltergeist was freakin’ scary back in the day. The moving, maggoty steak. The bodies floating up at the end.
Load More Replies... Bekki Sala 2 years ago
I always rented this when it was my turn to pick. Favorite horror film ever!
#27
2001: A Space Odyssey (1968). Stanley Kubrick
Cinematography: Geoffrey Unsworth
We hope you’re enjoying this intimate look into the world of movie making. Be sure to keep upvoting the pics you find most fascinating, and let us know in the comments what your favorite film is and if you know anything about behind the scenes of that shoot. Then, if you’re interested in reading another Bored Panda article featuring surprising movie facts you’ve likely never noticed, look no further than right here!
#28
Superman (1978). Richard Donner
Cinematography: Geoffrey Unsworth
Camera Operator: Peter MacDonald
Photo by: Bob Penn
Firstname Lastname 2 years ago
I mistook him for a tall Danny Devito at first before realizing we were talking about Superman.
The Original Bruno 2 years ago
Yeah, the Penguin is Batman, Zheeeesh. (HHOK)
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Marilyn Russell 2 years ago
Truly. Saw it again recently. He had charm, humour and strength. The scene when he was too late to save Lois, but then when he arrived back and found her sassing him…
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Onion Patch Petunia 2 years ago
No that guy over there doesn't believe you're really Superman so I want you to pick me up and throw me at him to prove that you are
#29
Goldeneye (1995). Martin Campbell
Cinematography: Phil Meheux
Photo by: Keith Hamshere
#30
Everything Everywhere All At Once (2022). Daniel Kwan & Daniel Scheinert
Cinematography: Larkin Seiple
Photo by: Allyson Riggs
#31
Nope (2022). Jordan Peele
Cinematography: Hoyte Van Hoytema
Photo by: Leigh Mierke
#32
A Clockwork Orange (1971). Stanley Kubrick
Cinematography: John Alcott
Ed Brandon 2 years ago
Come and get one in the yarbles... If yer have any yarbles...
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#34
The Shawshank Redemption (1994). Frank Darabont
Cinematography: Roger Deakins
Photo by: Michael P. Weinstein
#36
Mission: Impossible - Ghost Protocol (2011). Brad Bird
Cinematography: Robert Elswit
Photo by: David James
Luis Hernandez Dauajare 2 years ago
"Now Tom, are you going to prank me again? My hand is getting slippery..."
#37
Edge Of Tomorrow (2014). Doug Liman
Cinematography: Dion Beebe
Camera Operator: Peter Field
Steadicam Operator: Peter Robertson
Boom Operator: Orin Beaton
Photo by: David James
Via Band Pro Film & Digital
#38
The Shining (1980). Stanley Kubrick
Cinematography: John Alcott
Steadicam Operator: Garrett Brown
#39
The Shawshank Redemption (1994). Frank Darabont
Cinematography: Roger Deakins
Photo by: Michael P. Weinstein
#40
Black Panther: Wakanda Forever (2022). Ryan Coogler
Cinematography: Autumn Durald Arkapaw
WindySwede 2 years ago
I've got an exclusive pic from Avatar III 4PqNmzP.jpg 
Máté Jancsek 2 years ago
Its actually sad, that you don't need anything. Let the actor give their best in a lifeless "set"
#41
Back To The Future Part III (1990). Robert Zemeckis
Cinematography: Dean Cundey
Photo by: Ralph Nelson
QuirkyKittyGirl 2 years ago
Odd, how this exact photo is ALSO posted as "Back to the Future Part ll".
KDS 2 years ago (edited)
Back to the Future Part II and III were shot back to back so that why it was labeled as BTTF II
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#42
Apocalypto (2006). Mel Gibson
Cinematography: Dean Semler
First Assistant Camera: Megan Forste
#43
Home Alone 2: Lost In New York (1992). Chris Columbus
Cinematography: Julio Macat
Photo by: Melinda Sue Gordon
#44
Close Encounters Of The Third Kind (1977). Steven Spielberg
Cinematography: Vilmos Zsigmond
Photo by: Jim Coe
#46
The Godfather (1972). Francis Ford Coppola
Cinematography: Gordon Willis
Photo by: Jack Stager
#47
Se7en (1995). David Fincher
Cinematography: Darius Khondji
Photo by: Peter Sorel
#48
Star Wars (1977). George Lucas
Cinematography: Gilbert Taylor
Camera Operator: Ronnie Taylor
Boom Operator: Ken Nightingall
Continuity: Ann Skinner
Photo by: John Jay
#49
The Revenant (2015). Alejandro G. Iñárritu
Cinematography: Emmanuel Lubezki
Camera Operator: P. Scott Sakamoto
Dolly Grip: Ryan Munro
#50
Top Gun (1986). Tony Scott
Cinematography: Jeffrey L. Kimball
Photo by: Ralph Nelson
Susan S 2 years ago
Guy on top of the ladder is thinking, "Jeez, this kid is a super arrogant little prick."
Hilary Mol 2 years ago
Pretty sure there are still film guys on ladders who still think that today.
Load More Replies... #51
Dunkirk (2017). Christopher Nolan
Cinematography: Hoyte Van Hoytema
Photo by: Melinda Sue Gordon
Nikole 2 years ago
I’m just now realizing that they are not in fact walruses…
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#52
Indiana Jones And The Last Crusade (1989). Steven Spielberg
Cinematography: Douglas Slocombe
Vía Pedro Barnett-College Penella
#55
Back To The Future Part III (1990). Robert Zemeckis
Cinematography: Dean Cundey
Panaglide Operator: Raymond Stella
First Assistant Camera: Clyde E. Bryan
#56
Full Metal Jacket (1987). Stanley Kubrick
Cinematography: Douglas Milsome
Photo by: Gerard Maguire
#57
Blade Runner (1982). Ridley Scott
Cinematography: Jordan Cronenweth
#58
Bridge Of Spies (2015). Steven Spielberg
Cinematography: Janusz Kaminski
Steadicam Operator: Marcus Pohlus
First Assistant Camera: Denny Kortze
Photo by: Jaap Buitendijk
#59
Dunkirk (2017). Christopher Nolan
Cinematography: Hoyte Van Hoytema
Photo by: Melinda Sue Gordon
#63
Apocalypse Now (1979). Francis Ford Coppola
Cinematography: Vittorio Storaro
#67
Glass Onion (2022). Rian Johnson
Cinematography: Steve Yedlin
Photo by: John L. Wilson
Kindlovinghumble 2 years ago
I just watched it yesterday and I LOVED it too!!! Love the twists in it!
Load More Replies... #68
The Great Escape (1963). John Sturges
Cinematography: Daniel L. Fapp
Photo by: Lothar Winkler
Stary_cat 2 years ago
I love this movie I’m pretty sure it was this scene when there was a motorbike chase and he slid under barb wire but please correct me if I’m wrong
SkyBlueandBlack 2 years ago
His break for freedom, yes. Only to end up back at the camp -- but alive.
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#72
The Departed (2006). Martin Scorsese
Cinematography: Michael Ballhaus
Camera Operator: Andrew Rowlands
Boom Operator: Andrew Schmetterling
Photo by: Andrew Cooper
#73
The Wolf Of Wall Street (2013). Martin Scorsese
Cinematography: Rodrigo Prieto
Photo by: Mary Cybulski
Bookworm 2 years ago
Given where the track for the camera is, I assume the pants are only barely in the shot. Otherwise you'd be able to see the track. I've heard of a reasonable number of actors wearing more comfortable pants and shoes when they know it won't be visible on camera.
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#75
The Shape Of Water (2017). Guillermo Del Toro
Cinematography: Dan Laustsen
Photo by: Kerry Hayes
#76
Skyfall (2012). Sam Mendes
Cinematography: Roger Deakins
Boom Operator: Orin Beaton
Photo by: François Duhamel
#77
All Quiet On The Western Front (2022). Edward Berger
Cinematography: James Friend
Photo by: Reiner Bajo
#78
The Godfather (1972). Francis Ford Coppola
Cinematography: Gordon Willis
Photo by: Jack Stager
#79
Always (1989). Steven Spielberg
Cinematography: Mikael Solomon
Visual Effects Gaffer: Bob Finley
Visual Effects Key Grip: Dick Dova
#80
Prisoners (2013). Denis Villeneuve
Cinematography: Roger Deakins
Photo by: Wilson Webb
#81
The Night Of The Hunter (1955). Charles Laughton
Cinematography: Stanley Cortez
#82
Thor: Love And Thunder (2022). Taika Waititi
Cinematography: Barry Baz Idoine
Photo by: Jasin Boland
Brittania Kelli 2 years ago
I miss when he used to make quirky movies like Eagle Vs Shark. The world doesn't need more superhero movies, we need more Eagle Vs Shark.
#83
Tenet (2020). Christopher Nolan
Cinematography: Hoyte Van Hoytema
Photo by: Melinda Sue Gordon
#84
2001: A Space Odyssey (1968). Stanley Kubrick
Cinematography: Geoffrey Unsworth
Clapper Loader: John Campbell
#85
Avatar: The Way Of Water (2022). James Cameron
Cinematography: Russell Carpenter
Photo by: Mark Fellman
Via American Cinematographer
Katie Lutesinger 2 years ago
I like to imagine that Mr Cameron wiped away a nostalgic tear or two when he got to do another big exciting climax centered around a sinking ship. :p
Brittania Kelli 2 years ago
Aww man, spoiler alert! Saying that I'll probably never watch it....
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What do you think ?
Wicked Moon216 2 years ago
I have ZERO desire to hang around celebrities, but I would do almost anything to be involved in some kind of capacity to see a movie being made.
Wicked Moon216 2 years ago
I have ZERO desire to hang around celebrities, but I would do almost anything to be involved in some kind of capacity to see a movie being made.
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