30 Times This Artist Used A Sketchbook And Pen To Create Incredibly Detailed Drawings
Interview With ArtistIf you ever thought notebooks were just for scribbling grocery lists or half-finished thoughts, Nicolas V. Sanchez is here to prove you very, very wrong. With nothing but colored pens and an eye for detail most of us could only dream of, he turns small sketchbooks into tiny museums you can carry in your bag.
One page might show a frog so realistic it looks like it might leap off the paper, while the next could feature a cow, a girl in a bathtub, or a kid mid-swim, each one drawn with insane precision. The coolest part? He does it all by hand, no shortcuts, no tricks, just a lot of patience and pure talent. His drawings feel like memories caught on paper, and you can’t help but stare a little longer to make sure they’re not photos.
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Sanchez’s background is steeped in artistic discipline, with a BFA from Kendall College of Art and Design and an MFA from the New York Academy of Art, where he later received a prestigious Post-Graduate Fellowship. Since then, his work has traveled the globe—from residencies in China, the Dominican Republic, and Italy to exhibitions at the Venice Biennale and features in VOGUE Italia, Vanity Fair, and Fine Art Connoisseur.
“I’ve always drawn from memory and observation,” he explains, reflecting on his process. “Much of my work is rooted in family, migration, and identity. It’s about honoring where I came from while constantly evolving as an artist.”
His solo exhibitions, including Belongings and Passing Home, often explore what it means to carry history—whether personal or collective—into the present. The tension between movement and rootedness is a recurring thread, especially in works created during his international residencies. “When I travel, I absorb everything,” he shares. “The cultures, the stories, even the textures of the place—they end up in my sketchbooks, which are like journals.”
Beyond the gallery, Sanchez has made waves in design and education. He collaborated with Liu Bolin on works for the Eli Klein Gallery and even taught at La Escuela de Diseño in the Dominican Republic. He also created a custom ballpoint pen—the NS1—designed specifically for artists. “The pen is about efficiency, yes, but also about accessibility,” he says. “Not everyone can afford expensive tools, and I wanted something that still delivered high-quality results.” A portion of the proceeds go to the Center for Arts Education in New York City, a cause close to his heart. “It is my privilege to be a part of an effort that promotes art education and other opportunities in which everyone can benefit from art.”
His sketchbooks are the stuff of legend—packed with portraits, landscapes, and scenes from everyday life, all rendered in astonishing detail. For Sanchez, they’re more than practice; they’re records of presence. “Drawing helps me slow down,” he says. “It’s a way to connect to my surroundings, to people, and to myself.”
I have a feeling it was painted using the ink from a pen tube, but not through the ballpoint. I used to do something similar when I was bored in class. I would pull the metal part off of the tube and extract the ink into a container, then make a crude quill from a piece of pencil wood and paint with that.
Load More Replies...I wonder how amazed he was of himself when he discovered he had such an immense talent to create realism? Most of which are with just a four-tip biro!) Incredible skill. Chapeau! 👏
Cross hatching is highly effective tactic for using just a pen in drawing. I do a lot of drawings with a simple .05 black fineliner, usually horses. This style is actually pretty easy to produce good quality drawings (especially for beginners who make lack anatomical or perspective knowledge). While they're all very good drawings I'd say the only one im truely impressed by is the white horse one. As to begin with shading any kind of white animal is incredibly difficult. More so using the cross hatching technique as it would be very easy to overwork it and have the shading defining muscles be too sharp on the eye. With most cross hatched pen drawings it's the reverse where it's easy to not overwork and easy to cover mistakes, since it's built upon by layers.
I wonder how amazed he was of himself when he discovered he had such an immense talent to create realism? Most of which are with just a four-tip biro!) Incredible skill. Chapeau! 👏
Cross hatching is highly effective tactic for using just a pen in drawing. I do a lot of drawings with a simple .05 black fineliner, usually horses. This style is actually pretty easy to produce good quality drawings (especially for beginners who make lack anatomical or perspective knowledge). While they're all very good drawings I'd say the only one im truely impressed by is the white horse one. As to begin with shading any kind of white animal is incredibly difficult. More so using the cross hatching technique as it would be very easy to overwork it and have the shading defining muscles be too sharp on the eye. With most cross hatched pen drawings it's the reverse where it's easy to not overwork and easy to cover mistakes, since it's built upon by layers.
