When Centuries Collide: 30 Mesmerizing Blends Of Classical Art In Modern Life By Alexey Kondakov
Interview With ArtistKiev-based artist and graphic designer Alexey Kondakov has reimagined the boundaries of time and space through his mesmerizing digital collages. By seamlessly blending figures from classical paintings into the everyday hustle of modern cities, he creates a dreamlike world where art history walks among us — where goddesses wait at bus stops, cherubs linger in stairwells, and Renaissance lovers drift through crowded subway cars.
What makes Kondakov’s work so compelling is the emotional tension he captures: the quiet elegance of centuries-old characters placed in gritty, often mundane surroundings. These surreal juxtapositions not only challenge our perception of time but breathe new life into the art of the past.
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William-Adolphe Bouguereau "Innocence"
With just his imagination, digital tools, and photos taken with his Google Nexus 5, Kondakov spends hours — sometimes days — meticulously crafting each image. From choosing the perfect classical subject to composing the urban backdrop, every step is infused with intention. The result is a hauntingly beautiful fusion of eras that feels at once intimate, cinematic, and strangely familiar.
Kondakov’s work is more than a display of digital mastery — it’s a thoughtful reimagining of how classical art can exist within the rhythms of modern life. His collages blur the lines between past and present, inviting us to see timeless beauty through a contemporary lens. Each composition reveals that the emotions, narratives, and human experiences captured centuries ago still resonate today. With every surreal pairing, Kondakov challenges us to rediscover the poetry in the everyday and to find unexpected harmony in the fusion of eras.
Herbert James Draper "Clyties Of The Mist"
Francesco Hayez “Susanna At Her Bath”
The multidisciplinary artist has been working on his collage project — combining old paintings with modern surroundings — for over 10 years now.
"For me, it’s a wonderful exercise in observation, awareness of the world around me, and self-reflection," Kondakov explained.
He also noted that all of his visual stories are based on personal experiences. Each piece depicts a scene that he has either witnessed or been directly involved in.
"In the early stages of my work, most of the scenarios were set in public transport, local markets, or underground passages — places that were part of my daily routine and surroundings," the artist shared.
Frederic Leighton "Greek Girls Playing At Ball'
Carlo Dolci "Allegory Of Patience"
As Kondakov began to travel more, the narrative naturally expanded to include situations on the road, at beaches, and in various urban settings across different cities and countries.
"I’ve also explored the idea of nightlife, though I wasn’t able to capture it authentically at first because I hadn’t really experienced it," the artist said.
Kondakov explained that it took him some time — and a few visits to bars, clubs, and raves — before he could bring those concepts to life.
"Some ideas sit in my mind for months or even years until I find the right setting or mood to realize them. I always carry them with me, knowing exactly the kind of environment they’ll need," the added.
Frederic Leighton "Sea Echoes"
William-Adolphe Bouguereau “Song Of Angel”
Since Kondakov’s early interviews with Bored Panda, his daily life has undergone a quiet but powerful transformation.
"I’ve been steadily optimizing my lifestyle and rhythms. At this point, I plan my week in advance, allocating time for different types of work. Within those time blocks, I assign specific tasks," he shared.
The artist unveiled that for a long time, he resisted to-do lists, feeling like they would box him in — but experience has proven otherwise. Kondakov understood that they actually help free up mental space and allow him to be more present and creative.
Leon Francois Comerre "The Triumph Of The Swan"
William Adolphe Bouguereau "Childhood Idyll"
“My day typically begins with meditation, some light exercise or yoga, and then making breakfast for my family,” Kondakov shared. “After that, I either head straight to the studio or take a slow walk to get there.”
At the studio, he follows a flexible routine — structured enough to stay focused, but open to creative spontaneity. “I’ve learned to keep a rhythm, but not to over-plan every moment,” he said.
Depending on the day, his evenings might include a walk, a workout, or, toward the end of the week, hosting friends at the studio. “It’s a nice way to wind down — sharing the space, having conversations, and just enjoying the energy of the place.”
William-Adolphe Bouguereau "Glaneuse"
Frank Markham Skipworth “A Roman Holiday”
Frederick Leighton "Solitude"
Frederic Leighton "The Return Of Persephone"
William-Adolphe Bouguereau "Daphnis And Chloe"
Charles-Amable Lenoir "The Spinner"
Friedrich Von Amerling
Paul Emile Chabas "Angel Of The Morning"
School Of Fontainebleau, Attributed To Luca Penni "Diana The Huntress"
William-Adolphe Bouguereau "Laurel Branch"
Simon Vouet "Allegory Of Wealth"
Benjamin West "The Death Of Hyacinth"
Joseph-Marie Vien "Mars And Venus"
Jules Joseph Lefebvre "Diana, Chasseresse"
Bellanger Camille Felix “Idylle” (Daphnis And Chloe)
George Frederic Watts "Girl With Peacock Fan"
Frederic Leighton "Acme And Septimius"
Francesco Hayez "The Kiss"
Rubens "Venus At A Mirror"
William-Adolphe Bouguereau "The Wave"
Wilhelm Kray "Loreley"
Max Nonnenbruch "Evening By The Lake"
Arthur Hacker "The Annunciation"
Sir Lawrence Alma-Tadema "Roses Of Heliogabalus"
Angelika Kauffmann "Amor Und Psyche"
William-Adolphe Bouguereau "The Bather"
Ubaldo Gandolfi "Mercury About To Behead Argus"
Arthur Hacker "Abundance"
Louis-Jean-François Lagrenée "Cupid And Psyche"
Pierre Cabanel "Daphnis And Chloe"
Edward Robert Hughes "Diana's Maidens"
Frederick Leighton "Invocation"
Anna Alma-Tadema "A Votive Offering (The Late Roses)"
Max Nonnenbruch Junge "Flora"
Franc Kavčič "The Lament Of Orpheus"
Orazio Riminaldi "Amor Victorioso"
Jacques-Louis David "The Love Of Helen And Paris"
Diego Velázquez "Vulcan's Forge"
William-Adolphe Bouguereau “Day“
Léon Bazile Perrault "The Oracle Of The Fields"
François Gérard "Corinne At Cape"
The black tape covering nipples is stupid AND ugly. I wonder what the original painter would have thought of a culture that does this.
I wonder what the original painter would think of their work being superimposed over 21st century situational photography?
Load More Replies...The black tape covering nipples is stupid AND ugly. I wonder what the original painter would have thought of a culture that does this.
I wonder what the original painter would think of their work being superimposed over 21st century situational photography?
Load More Replies...
