Article created by: Ilona Baliūnaitė

It’s no secret that artists tend to have an eye for detail. That’s why where you see a street, they see a painting; where you hear a bird, they hear a masterpiece; and where you see nothing out of the ordinary, they see an opportunity to create something beautiful.

A London-based photographer, Andreea Badiu, has recently gone viral on TikTok for her ability to see great shots in seemingly mundane settings. She lets her followers in on what she sees versus what she takes a picture of, showing that an eye for detail can really come in handy when taking pictures. And if you don’t want to take my word for it, see for yourself by looking at Andreea’s works on the list below.

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#1

Side-by-side photos showing what a photographer sees versus the chosen photo highlighting light and shadow in an archway.

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    Side-by-side pics showing what a photographer sees versus the chosen photo of a couple sitting by the sea.

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    #3

    Side-by-side comparison of what a photographer sees versus the image they choose to capture with focused lighting and mood.

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    #4

    Side-by-side comparison of a photographer's full view versus the chosen area with colorful laundry on a building facade.

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    #5

    Side-by-side images showing what a photographer sees versus what they choose to capture of a Victorian tramway entrance.

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    #6

    Side-by-side photos showing what a photographer sees versus what they choose to capture with a focus on costume details.

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    #7

    Side-by-side photographer’s view showing what is seen versus what is chosen to capture in a narrow street scene.

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    #8

    Side-by-side pics showing what a photographer sees in a subway and what they choose to capture in the frame.

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    #9

    Side-by-side pics showing a photographer’s view of a street scene and the chosen close-up portrait of an elderly man.

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    #10

    Side-by-side pics showing what a photographer sees versus the photo they choose to take with neon AMOUR sign at night.

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    #11

    Side-by-side pics showing what a photographer sees in a scene versus what they choose to capture with a camera.

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    #12

    Split image showing what a photographer sees in a theater and the detailed photo they choose to capture of ornate balcony lights.

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    #13

    Side-by-side comparison of a coastal scene showing what a photographer sees versus what they choose to take.

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    #14

    Side-by-side photos showing what a photographer sees versus the photo they choose to take of an old cathedral in fog.

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    #15

    Side-by-side comparison showing what a photographer sees versus what they choose to capture with focus on a boat named Julie.

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    #16

    Side-by-side comparison of what a photographer sees versus what they choose to take, featuring masked figures on a bridge.

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    #17

    Side-by-side pics showing what a photographer sees on a pier and what they choose to capture with the camera.

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    #18

    Side-by-side pics showing what a photographer sees versus what they choose to capture in urban stairwell scenes.

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    #19

    Side-by-side comparison of what a photographer sees and the chosen photo of two boats in calm water.

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    #20

    Side-by-side photos showing what a photographer sees versus what they choose to capture of a canal scene with a boat and bridge.

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    #21

    Side-by-side pics showing what a photographer sees versus what they choose to capture with warning and no walking signs.

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    #22

    Comparison of side-by-side pics showing what a photographer sees versus what they choose to take, focusing on urban architecture.

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    #23

    Side-by-side comparison showing what a photographer sees at night versus the chosen photo to capture.

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    #24

    Side-by-side comparison showing what a photographer sees versus what they choose to capture in a Venice canal scene.

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    #25

    Side-by-side comparison of a photographer's view and chosen subject featuring people in historical costumes on a narrow street.

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    #26

    Side-by-side photos showing what a photographer sees vs what they choose to take, focusing on three people on a bench.

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    #27

    Side-by-side photos showing what a photographer sees versus what they choose to capture with chairs and wall lights.

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    #28

    Side-by-side photos showing what a photographer sees versus what they choose to take focusing on urban architecture details.

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    #29

    Side-by-side photos showing what a photographer sees versus what they choose to capture in an old alleyway with pigeons.

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    #30

    Side-by-side images showing what a photographer sees versus what they choose to take in a nighttime street scene.

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    #31

    Side-by-side comparison showing what a photographer sees and the photo they choose to take at a night cafe setting.

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    #32

    Side-by-side photos showing what a photographer sees versus what they choose to capture of a seafood restaurant entrance.

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    #33

    Side-by-side photos showing a photographer’s choice capturing a Venetian canal scene with boats and historic buildings.

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    #34

    Side-by-side comparison of what a photographer sees and what they choose to capture on a bridge with people in red costumes.

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    #35

    Side-by-side pics showing what a photographer sees versus what they choose to take, focusing on a yellow door and colorful buildings.

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    #36

    Side-by-side comparison showing what a photographer sees versus the photo they choose to take with a colorful subject.

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    #37

    Split image showing what a photographer sees on the left and the focused photo they choose to take on the right.

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    #38

    Side-by-side pics showing what a photographer sees versus what they choose to photograph, focusing on a red lamp.

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    #39

    Side-by-side pics showing what a photographer sees versus the chosen photo of an empty chair in low light.

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    #40

    Side-by-side pics showing what a photographer sees vs what they choose to take focusing on condiments at a food stand.

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    #41

    Side-by-side comparison showing what a photographer sees versus the area they choose to capture in their photo.

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    #42

    Side-by-side pics showing a weathered yellow mailbox on a red wall, illustrating what a photographer chooses to capture.

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    #43

    Side-by-side pics showing what a photographer sees through a window versus what they choose to take in their photo.

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    #44

    Side-by-side comparison showing what a photographer sees versus what they choose to capture in an urban setting.

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    #45

    Side-by-side comparison showing what a photographer sees versus the framed photograph they choose to take.




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