There’s something very American about Cawston’s photographs. It’s odd, really, since they feature scenes from Italy, Cuba, Mexico, Brazil . Yet, be it in the contrasting colours of a Havana pool, the perfect clapboards of an Avonmouth cottage, or the crooked hat of a Tibetan cowboy, Cawston’s images recall both the New World melancholy of Edward Hopper and the dazzling modernity of David Hockney
by By Alice-Azania Jarvis for the Independent