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The British Museum is known for housing a vast collection of artifacts from across the globe. But what was the way some of these treasures were acquired? That’s where things get a little complicated. 

Today, we’ve compiled a list of truly fascinating pieces, spanning cultures from China to Kenya. Each one has its own story to tell, and not all of them come without controversy. Curious to see what’s inside? Keep scrolling for a glimpse into the marvels and the mysteries they hold.

#1

The Elgin Marbles

Marble horse head sculpture displayed as one of the foreign artifacts held in the British Museum collection.

In the early 19th century, the Elgin Marbles, a collection of sculptures dating back 2500 years, were taken by a British diplomat from the Parthenon in Greece. He sold them to the British government, which then shipped them off to the British Museum. Believing the marbles were looted, the Greek government listed a dispute with UNESCO over their return, but the British government declined the organization’s attempt at mediation. Today, the Elgin Marbles remain in the British Museum, and discussions between the two countries regarding their return are in progress.

Marie-Lan Nguyen , Wikipedia Report

Lyone Fein
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Yes. They were indeed looted.

BrunoVI
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Fun fact: The British excused taking them out of Greece because they claimed that the Greek government at time was crazy. Hence, they "lost their marbles." (I've seen highly unconvincing refutations of this, citing uses of the phrase that are earlier than any context referencing Elgin, but (1) the issue of Elgin's marbles predates any reference to toy marbles by over half of a century, and (2) references to the toy marbles older than to Elgin's marbles are meant literally, not implying any reference to insanity.)

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Mavis
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

On the British Museum website they're now referred to as the Parthenon Sculptures.

WubiDubi
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Sort of, they were bought but did the sellers have permission to sell them.

eirini
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Please don't call them Elgin Marbles. They are the Parthenon Marbles.

Shane S
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

With all our technology today, there’s no reason they can’t be copied or 3D printed and sent back home.

Joe Reaves
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

These do need to go back. Especially as right after acquiring them, we managed to damage them. We can't really argue we're keeping them protected.

The lion tamer
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

These are called "The Parthenon marbles" to be fair...

Gerry Higgins
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

At that time the Parthenon was just a pile of unattended, weed ridden junk. Everyone took bits and pieces of it. But let's forget all about those other guys and just hate on the British. It's popular to hate the British. Can't we just go back to hating the French?

Earonn -
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Poor British Museum, its usual excuse "we are just protecting these valuable artefacts from the violence in its home country" doesn't work here.

Eastendbird
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

https://www.britannica.com/topic/Elgin-Marbles Greece was under the control of the Ottoman empire at the time. See the comments in this article.

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Will Middleton
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

It's time to send foreign cultural artifacts back where they belong. We need to concentrate on restoring and reflecting on our own culture not other people's.

Cas P
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

The Greeks can't be trusted with them. These would be the Greeks who, during a war with Turkey, stored all their gunpowder in the Parthenon. The Turks got a direct hit - thus why the Parthenon no longer has a roof. The Greeks have no common sense and no idea about how to preserve their history for future generations. The British Museum should absolutely keep them. That way no more valuable Greek history will be lost for future generations by Greek stupidity.

Kate Karnezi
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

No excuse for keeping them whatsoever. If these marbles could talk they would tell you they want to be united with the rest at their home.

patricia patricia
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

I can't believe it!!! 😭😭😭😭 I knew they were painted, but I thought the paint had disappeared "naturally" over the centuries. I didn't know some genius had sandblast led the sculptures to get rid of the colours.

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Kit Black
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

These were stolen, absolutely.

krunchifrog
Community Member
4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

Not to mention they sandblasted the paint off the sculptures to “clean” them up.

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    #2

    The Hoa Hakananai'a Head

    Stone Moai statue displayed among foreign artifacts held in the British Museum gallery with informational exhibits.

    The Hoa Hakananai’a Head, a moai statue, was stolen from Orongo Easter Island in 1868 by a British Royal Navy ship crew and taken to the British Museum. The Rapa Nui people consider the statue as stolen and in 2018, the governor of Easter Island requested that the British Museum return it to them. Discussions to repatriate the statue have since stalled, and it remains in the British Museum.

    James Miles , Wikipedia Report

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    #3

    The Gold Crown Of Maqdala

    Intricately designed gold crown artifact from a foreign culture displayed among British Museum foreign artifacts collection.

    In 1868, after capturing the city of Maqdala, the British brought back many royal treasures. Of these treasures, the regal and highly detailed gold Crown of Maqdala was the most valuable. Currently owned by the Victoria and Albert Museum, the crown has been the subject of restitution claims made by Ethiopia since 2007. Many other royal treasures, far less significant than the crown, have since been returned to Ethiopia.

    FredHarter , British Museum , Alex Greenberger Report

    WubiDubi
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    Actual looting. Not theft or dubious purchase.

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    The British Museum states on its official website that its collection has been built through a variety of means. Some pieces, however, have drawn attention due to their disputed origins and have even been subject to requests for repatriation by other countries. This ongoing debate continues to raise questions about rightful ownership tied to cultural artifacts.

    A considerable part of the museum’s holdings came from donations or bequests, especially throughout the 19th and 20th centuries. One notable example is the Sutton Hoo collection, a magnificent Anglo-Saxon ship burial discovery from 1939. Edith Pretty, the landowner of the site, donated the entire find, contributing significantly to the museum’s medieval treasures.

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    #4

    The Lamassu

    Large ancient foreign artifacts with detailed carvings displayed inside the British Museum under archways and natural light.

    The Lamassu is a statue of a winged lion or bull with a human head that was placed in front of the Northwest Palace of Ashurnasirpal in Nimrud as a symbol of protection. Acquired by the British Museum in 1851, the statue dates back to 865 BC and was excavated by Austen Henry Layard. Other Lamassu statues are housed in museums across the world, such as the National Museum of Iraq and the Louvre Museum.

    Poulpy , British Museum , Nathan Steinmeyer Report

    Joe Reaves
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    Given the damage done by both the extremists and the Americans in Iraq, this entry might be a very good thing.

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    #5

    The Benin Bronzes

    Ancient foreign artifacts displayed in the British Museum featuring intricate carved wooden panels in rows.

    In the 1500s, a group of brass and bronze sculptures known as the Benin Bronzes was made in the West African Kingdom of Benin. Many of the pieces were used in ancestral rituals during that time. The artifacts were plundered by British troops in 1897 and were sent to the British Museum and other European institutions. Today, the Benin Royal Court has called for the return of the sculptures, but no plans have yet been made to fulfill its requests.

    Geni , British Museum Report

    Joe Reaves
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    These absolutely need to go back, but the government needs to stop passing the buck. The government keeps saying it's a matter for the museum, but the British Museum is governed by certain legal statutes which means that, with certain exceptions for duplicates or irretrievably damaged items, they need parliamentary permission to dispose of items in the collection. The Museum have said a couple of times they're open to returning them but they need legal permission and the government just keeps saying it's not their business, despite it clearly being exactly their business.

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    #6

    The Rosetta Stone

    Rosetta Stone, one of the foreign artifacts held in the British Museum, featuring ancient inscriptions in multiple scripts.

    The Rosetta Stone is a fragment of a larger black basalt stone slab dating back to 196 BCE that was discovered by French troops in 1799. It contains a decree about King Ptolemy V written in Egyptian hieroglyphics, Demotic language, and Greek. The stone made its way to the British Museum in 1802 and remains one of its most famous pieces despite Egypt’s many attempts to reclaim it over the years.

    Hans Hillewaert , British Museum , Wikipedia Report

    Eva Vinklarkova
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    There is actually a 1:1 copy in the British Museum you can touch. The original is under glass and the copy is next to it.

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    Generosity hasn’t waned in modern times either. In 2003, Alexander Walker, a prominent film critic for the Evening Standard, bequeathed a remarkable collection of modern prints and drawings. His donation included works by artistic giants like Matisse and Bridget Riley, further enriching the museum’s 20th-century archives.

    #7

    The "Under The Wave Off Kanagawa" Print

    Japanese ukiyo-e woodblock print of a giant wave and boats, a famous foreign artifact held in the British Museum.

    Katsushika Hokusai is one of Japan’s most revered and innovative artists. Hokusai’s painting “Under the Waves off Kanagawa,” also known as “the Great Wave,” is considered his best work. The painting is a color woodblock print depicting an enormous wave crashing down on three fishing boats off the coast of Kanagawa. One of the surviving prints of "Under The Wave Off Kanagawa" and many of his other works are displayed at an exhibition called “The Great Picture Book of Everything” in the British Museum.

    Katsushika Hokusai , Doyouspeaklondon , British Museum Report

    Al Fun
    Community Member
    Premium
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    About 8000 prints were made of this woodblock, 100 are thought to still exist. The ink is very light sensitive, and this copy has lost most of its coloring in the sky. Check the Wikipedia article for other prints that still have a rich pink sky.

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    #8

    The Asante Gold Regalia

    Gold circular foreign artifact with intricate sunburst and face design, part of rare collections held in the British Museum.

    The Asante Gold Regalia comprises more than 200 gold items, including jewelry, royal insignia worn by the King of the Asante people, and badges worn by his officials. Many of the pieces were looted from Kumasi, the Asante capital, during the war in the 1800s. While some were sold to the British Museum, others formed part of a forced British indemnity payment. The remaining items were acquired by other museums and even some private collectors.

    Daderot , British Museum Report

    Kit Black
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    Invaded, stole, and demanded tribute - GIVE THEM BACK.

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    Many other items in the British Museum have come from archaeological excavations across the globe. These digs, which continue today in regions from the Caribbean to the Nile Valley, aren’t just about acquiring relics: they aim to answer research questions and provide deeper historical context to existing collections.

    #9

    The Early Shield From New South Wales, Australia

    Worn wooden shield displayed as a foreign artifact held in the British Museum on red background.

    The Aboriginal Australian shield, presumably originating from the coastal regions of New South Wales, dates back to the late 1700s and was made from the bark of the red mangrove plant. It has a distinct hole near the center, most likely from being hit by a spear. Despite several requests from Aboriginal communities for its return to Australia, the shield remains at the British Museum in London.

    geni , British Museum Report

    Kit Black
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    It's interesting which things you don't want to tell us the method of acquisition ...

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    #10

    The Lewis Chessmen

    Chess pieces made of carved ivory displayed as foreign artifacts held in the British Museum on a wooden platform.

    The Lewis Chessmen are a group of chess pieces from the 12th century, carved from walrus ivory. After their discovery in Scotland in 1831 and exhibition that same year, 67 chessmen and 14 tablemen of the 94 objects available were purchased on behalf of the British Museum. As of today, 82 pieces are exhibited in the British Museum, 11 at the National Museum of Scotland in Edinburgh, with the last chess piece privately owned.

    Wikimedia Commons , Wikipedia Report

    Chewie Baron
    Community Member
    Premium
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    How are these considered foreign if their location actually pits them in Great Britain? The same country as the British Museum?

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    Despite these legitimate contributions, many of the museum’s most famous and controversial pieces are of foreign origin. As Euronews highlights, although England contributes the largest volume overall, it’s often the globally sourced items that spark the loudest calls for return.

    #11

    The Animal Mummies

    Two ancient foreign artifacts resembling wrapped animal figures displayed in the British Museum exhibit.

    The British Museum houses one of the largest collections of animal mummies in the world, with around 500 examples of cats, crocodiles, fish, snakes, and more. Originating in Ancient Egypt, these mysterious mummified animals were excavated in large numbers across different sites in Egypt. The crocodile mummy excavated in 1895, at Kom Ombo, Egypt, hasn’t been on display at the British Museum for 75 years. This is due to the complex conservation processes required to keep it intact for future exhibitions.

    Mario Sánchez , British Museum , Robbie Mitchell Report

    Scarlett O'Hara's Ghost
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    I know I risk sounding awful, but Egypt is profoundly bad at preserving it's own past. At least the UK is keeping it safe

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    #12

    The Oxus Treasure

    Ancient gold foreign artifacts displayed in a glass case at the British Museum, showcasing historical craftsmanship.

    The Oxus Treasure is a collection of 180 pieces of silver and gold that were found in the Oxus River between 1877 and 1880. Said to be from a larger collection of around 1500 items, the pieces date back to the 5th century BC. Currently, the British Museum holds the surviving collection, which includes a gold model chariot, a pair of armlets, and other metalwork.

    Osama Shukir Muhammed Amin FRCP(Glasg) , Wikipedia Report

    One of the museum’s harshest critics is Geoffrey Robertson, an Australian-British barrister and human rights advocate. He has condemned what he terms the museum’s “unofficial stolen goods tour,” pointing to pieces like the Elgin Marbles (claimed by Greece), Hoa Hakananai’a (from Easter Island), and the Benin Bronzes (claimed by Nigeria).

    #13

    The Beard Of The Sphinx Of Giza

    Ancient foreign artifact with carved geometric patterns displayed in the British Museum collection.

    In the 19th century, fragments of the Beard of the Sphinx of Giza were discovered in the debris surrounding the base of the iconic sculpture. According to the British Museum, the beard was likely an enhancement added to the Sphinx by King Thutmose IV. The piece is currently located in the British Museum while other fragments are housed in the Egyptian Museum in Cairo.

    Captmondo , British Museum , Mused.com Report

    Kabuki Kitsune
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    Given that the museum in Cairo has some major security concerns, and was looted in 2011, as well as has multiple issues regarding their attempts at 'preservation' of the artifacts inside the museum... frankly, it's better off where it is until Egypt can get its act together.

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    #14

    The Admonitions Of The Instructress To The Court Ladies

    Ancient Asian artwork depicting three figures in traditional dress, one holding an object, part of foreign artifacts in the British Museum.

    In 1900, during the Boxer Rebellion in Beijing, Captain Clarence Johnson acquired a silk scroll depicting a poetic narrative painting by the poet Zhang Hua. This scroll was called the Admonitions of the Instructress to the Court Ladies, and its text was aimed at correcting the behavior of an empress. Johnson then sold the scroll to the British Museum, which only displays it for six weeks every year due to its sensitivity to light.

    Gu Kaizhi , Wikipedia , British Museum Report

    Whether taken through conquest, colonialism, or negotiation, the history of these artifacts is complex. Many hold deep historical, cultural, and emotional importance for their places of origin. The question remains: Should such items be returned to their homelands, or does the museum serve a broader purpose in preserving and showcasing global heritage?

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    Which of these historical pieces do you think holds the strongest case for being returned? Or should they remain where they are for global education and access? Let us know what you think.

    #15

    The Glazed Dragon Tiles

    Intricately carved foreign artifacts with dragon motifs displayed at the British Museum on white pedestals and marble surface.

    This collection of 20 glazed tiles, made during the Ming Dynasty, once adorned the roofs of small buildings in a temple in Shanxi, China. Seen as a symbol of protection against fire, the tiles are arranged in two rows, one with yellow dragons and the other with blue dragons. The colors and designs of the tiles also symbolize Chinese beliefs in the powers of Yin and Yang. The British Museum acquired them in 2006, and they have been on display ever since.

    B , Google Arts and Culture , British Museum Report

    Lyone Fein
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    So, these are a legitimate acquisition, unlike other items that the British just stole.

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    #16

    The Tsavo Lions

    Two lifelike foreign artifacts of lions displayed on rocks with dry branches at the British Museum exhibit.

    The Tsavo Lions, also known as the Tsavo man-eaters, were a pair of maneless male lions in the Tsavo region of Kenya. They were responsible for over one hundred human fatalities on the Kenya-Uganda Railway in 1898. British Lieutenant-Colonel John Henry Patterson eventually did away with the lions in December that same year. Patterson kept their skins as rugs in his home until he sold them to the Field Museum of Natural History in 1924. Today, after being reconstructed, the lions are on display at the museum along with their skulls.

    Superx308 , Wikipedia Report

    G A
    Community Member
    4 months ago Created by potrace 1.15, written by Peter Selinger 2001-2017

    The Field Museum is in the US, idiots.

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