There are some places on this magical planet that leave your jaw on the ground, whilst you drag it along like an old car dragging a broken bumper. The Maras Salt Ponds, located in the ancient Inca Sacred Valley (we are...
There are some places on this magical planet that leave your jaw on the ground, whilst you drag it along like an old car dragging a broken bumper. The Maras Salt...
If you are a fan of clean, minimalist, and even surreal photography, you will enjoy the Vanity series by Murray Fredericks. Fredericks is a photographer from Australia creating incredible landscapes. Vanity is a cycle of his ongoing project Salt.
If you are a fan of clean, minimalist, and even surreal photography, you will enjoy the Vanity series by Murray Fredericks. Fredericks is a photographer from Australia creating incredible landscapes. Vanity is...
Cassie is a 5-year-old girl who loves to paint. At the age of three we discovered her passion and since then she has not stopped painting. She has sold over 100 paintings and has chosen to donate some of her earnings to...
Cassie is a 5-year-old girl who loves to paint. At the age of three we discovered her passion and since then she has not stopped painting. She has sold over 100 paintings...
I started with abstract art around six months ago, and I'm completely addicted. This way of creating is totally freeing, and allows me to express my emotions in a completely unconfined way. It really lets my creativity loose.
I started with abstract art around six months ago, and I'm completely addicted. This way of creating is totally freeing, and allows me to express my emotions in a completely unconfined...
I create worlds. I make rain, skyscrapers and nebulas appear on my screen, and I can't stop. Because after many years of photography (and a lot of other creative adventures) I've started pixel sorting.
I create worlds. I make rain, skyscrapers and nebulas appear on my screen, and I can't stop. Because after many years of photography (and a lot of other creative adventures) I've...
When my little boy Kylan was 3 and 4 years old, he loved drawing patterns. He was obsessed with order, symmetry, shapes and patterns. Starting as scribbles and swirls, they soon started to become quite intricate and beautiful, modern abstract pieces...
When my little boy Kylan was 3 and 4 years old, he loved drawing patterns. He was obsessed with order, symmetry, shapes and patterns. Starting as scribbles and swirls, they soon...
I am an italian photographer. I was born in 1981 in Rome, it's the city where I grew up and where I'm living. I like to think to be a “romantic traveler” and an “errant photographer”.
I am an italian photographer. I was born in 1981 in Rome, it's the city where I grew up and where I'm living. I like to think to be a “romantic...
These series consist of 10 photos of dew and rain drops creating their own mini-galaxies. This was actually my main goal - to get this kind of cosmic atmosphere and feeling in macro scale.
These series consist of 10 photos of dew and rain drops creating their own mini-galaxies. This was actually my main goal - to get this kind of cosmic atmosphere and feeling...
Back in 2012, I created an Abstract Phoenix illustration and it was a great feeling! Since then, I have yearned to create colorful abstract animal artworks. Till now, I have added to the series the Abstract Peacock, Abstract Elephant and Abstract...
Back in 2012, I created an Abstract Phoenix illustration and it was a great feeling! Since then, I have yearned to create colorful abstract animal artworks. Till now, I have added...
as·phyx·i·a is my experimental film created with Frederico Phillips and performed by Shiho Tanaka. Conceptually, as·phyx·i·a is meant to be an eloquent choreography that stresses the desire to be expressive without bounds or any common constraints in commercial jobs.
as·phyx·i·a is my experimental film created with Frederico Phillips and performed by Shiho Tanaka. Conceptually, as·phyx·i·a is meant to be an eloquent choreography that stresses the desire to be expressive without bounds...
