After Realizing That People Don’t Understand What His Job Means, Lighting Artist Shows Examples Of His Work
Sometimes it’s hard to understand how much work goes into something, especially in the creative fields that require a variety of skills. Let’s be honest, the majority of us have no idea what it takes to create some of our favorite things, such as animated movies. Luckily, the masters of the craft are willing to shed some light on their work, some of them even literally.
More info: twitter.com
Recently, a lighting artist, Dan O’Brien, shared an eye-opening Twitter thread about his job.
Image credits: OtherDanOBrien
“When I tell people I do lighting for animated movies, they usually don’t understand what I mean by that,” he tweeted. To explain what his job entails, O’Brien shared a handful of shots from a brand new animated movie he worked on called “Spies in Disguise.” The provided shots feature the ‘before’ version with default lighting, and the illuminated ‘after’ version.
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
Before
Image credits: OtherDanOBrien
After
Image credits: OtherDanOBrien
O’Brien’s work clearly demonstrates that lighting plays a crucial role in creating mood, depth, atmosphere, and realism in each scene. While lighting is often added as a last finishing touch in the film, the whole scene comes to life only when the environment is illuminated.
Image credits: OtherDanOBrien
The lighting artist’s goal is to enhance other artists’ work to create a naturally and beautifully lit sequence that allows its viewers to relate to the story and its atmosphere.
Here’s how people reacted
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Share on FacebookHe spent too much time with the guys over on the fish monster article. 😬🦈🐟
Load More Replies...I get the point about it being hard to explain, but these don't tell the whole story either. Much better would be a before/after of just his work, not combine with all of these other peoples work at the same time.
That probably isn't possible - not easily enough to be worth doing just for some social media posts. The lighting job is _very much_ to bring out the strengths of the work other modellers and animators have already done on the scene, and it doesn't isolate easily - lighting has to coordinate with the sky and FX. (Imagine if the lighting colours didn't match the skybox!) An after including his lighting work separate from the FX team may not even exist. Look at the spillover onto the road of the car lights in the night scenes for an example of why. Gunfire or particle effects or glowy UIs may be done by the FX team, but lighting has to coordinate with that so that effects they add show on other surfaces properly. If the sky modellers add some clouds and the FX team add a gunpowder bloom, lighting needs to make sure those alter the colour response of the surfaces in the scene to match.
Load More Replies...Brilliant artist. Could you come to my neighborhood and touch up the background?
He don't do sky or FX... Only lighting. You need a team of 2,000 to get the right rendering...
Load More Replies...I don't know the first thing about FX, sky, or lighting. That said, it does surprise me how much is "removed" in the night shots. Right down to reflections in the chrome of car rims. I can sortof imagine some other gfx artists being irritated? Maybe not, just surprising is all.
The 3D software renders those reflections. He didn't remove them, he changed the lighting so now the reflections are different.
Load More Replies...Okay, I've never wondered what a lightning artist did but I'm glad I found out anyway. Cool!
I love this! I wouldn't have understood, because I don't know the process of animation at all -- I just see the ARMY of names listed at the end of feature-length animations and marvel at how it all comes together.
Wow, isn't that amazing coincidence that this Disney owned animation film (i.e.: Disney bought Blue Sky Studio) are just in the theaters right now? (For f*** sake, you shouldn't think people are that dumb...)
wait is there a whole department that just does the skies in animation?
This is the kind of work my daughter does, and now I can explain it better! Thanks for all your hard work!
I mean well I've seen some before and after shots with the movie, "The Incredibles."
This is so cool! It's interesting to see how movies are made and different jobs for movies, especially since I didn't even know this job exists!
this made me realise how lighting is everything in an animation! the before and afters are amazing!
Doesn't Blue Sky have a Comp Department? Were these images pre-comp? Is doing this without compositing a time suck?
Wow!!! He worked on These films!!! The Will Smith-Pigeon spy is my new favorite .... 👍👍👍
Dan O'Brien, thank you for illuminating this topic so well (pun intended)
Interesting. I think that your kind of job is special.
That's cool! also, how could anyone possibly NOT get what this job is? A lot of people seem to think animated movies make themselves.
He spent too much time with the guys over on the fish monster article. 😬🦈🐟
Load More Replies...I get the point about it being hard to explain, but these don't tell the whole story either. Much better would be a before/after of just his work, not combine with all of these other peoples work at the same time.
That probably isn't possible - not easily enough to be worth doing just for some social media posts. The lighting job is _very much_ to bring out the strengths of the work other modellers and animators have already done on the scene, and it doesn't isolate easily - lighting has to coordinate with the sky and FX. (Imagine if the lighting colours didn't match the skybox!) An after including his lighting work separate from the FX team may not even exist. Look at the spillover onto the road of the car lights in the night scenes for an example of why. Gunfire or particle effects or glowy UIs may be done by the FX team, but lighting has to coordinate with that so that effects they add show on other surfaces properly. If the sky modellers add some clouds and the FX team add a gunpowder bloom, lighting needs to make sure those alter the colour response of the surfaces in the scene to match.
Load More Replies...Brilliant artist. Could you come to my neighborhood and touch up the background?
He don't do sky or FX... Only lighting. You need a team of 2,000 to get the right rendering...
Load More Replies...I don't know the first thing about FX, sky, or lighting. That said, it does surprise me how much is "removed" in the night shots. Right down to reflections in the chrome of car rims. I can sortof imagine some other gfx artists being irritated? Maybe not, just surprising is all.
The 3D software renders those reflections. He didn't remove them, he changed the lighting so now the reflections are different.
Load More Replies...Okay, I've never wondered what a lightning artist did but I'm glad I found out anyway. Cool!
I love this! I wouldn't have understood, because I don't know the process of animation at all -- I just see the ARMY of names listed at the end of feature-length animations and marvel at how it all comes together.
Wow, isn't that amazing coincidence that this Disney owned animation film (i.e.: Disney bought Blue Sky Studio) are just in the theaters right now? (For f*** sake, you shouldn't think people are that dumb...)
wait is there a whole department that just does the skies in animation?
This is the kind of work my daughter does, and now I can explain it better! Thanks for all your hard work!
I mean well I've seen some before and after shots with the movie, "The Incredibles."
This is so cool! It's interesting to see how movies are made and different jobs for movies, especially since I didn't even know this job exists!
this made me realise how lighting is everything in an animation! the before and afters are amazing!
Doesn't Blue Sky have a Comp Department? Were these images pre-comp? Is doing this without compositing a time suck?
Wow!!! He worked on These films!!! The Will Smith-Pigeon spy is my new favorite .... 👍👍👍
Dan O'Brien, thank you for illuminating this topic so well (pun intended)
Interesting. I think that your kind of job is special.
That's cool! also, how could anyone possibly NOT get what this job is? A lot of people seem to think animated movies make themselves.
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