30 Predictions From “Retro Future” That Were Either A Hit Or A Miss

To find out more about the weird and wonderful retrofuturism movement, Bored Panda reached out to Lisa Yaszek, a Regents Professor of Science Fiction Studies at the Georgia Institute of Technology.

Lisa explained that when we talk about retrofuturist objects and images, we usually refer to images of the past from the late 1800s through the space race, like many of the images collected here. “And when we look at these images, it becomes clear that people from the past actually had expectations of the future that were often quite like our own!”

According to Lisa, “they seem to have been particularly good at extrapolating from all the exciting new communications technologies of the time—telephones, radios, film, and TV—to imagine a range of new communications technologies much like we have now that allow us to talk to anyone from anywhere (#1 and 11), navigate our cars with ease (#2), get breaking news on our screens (#5), and even shop from home (#18 is shockingly on the mark).”

Moreover, “People of the past were also quite good at anticipating how our clothing and personal presentation might change! Image #1 presents us with the kind of brightly colored, streamlined, unisex uniform first imagined by avant-garde artists and then made popular by science fiction filmmakers in the opening decades of the twentieth century and that are still very much with us today.”

As for image #16, Lisa sees it as an exciting representation of future fashion. “The two models here appear to be wearing then-contemporary undergarments, but other aspects of their styles are very modern! The artist certainly guessed correctly that in the future, we would wear less clothing in public, indulge in more body ornamentation (the man’s tattoos look a lot like the tribal body art that became popular with the Modern Primitive movement in the 1990s), and that gender roles might be less clearly defined.”

Having said that, the people of the past were not always very accurate with their predictions about the use of big science and big engineering, said Lisa. “Images #15, 19, 20, 21, 22, 25, and 30 are particularly good examples of the utopian dream that someone—possibly the state, possibly a benevolent corporation—will engage in big, public engineering projects that will allow us to live well in the potentially hostile environments we might encounter in the future.”

According to the professor, people also had surprisingly different ideas about transportation than we do now. “I get the sense that the women in image #1 have flown their personal airplanes to the restaurant for a quick drink, and I love the idea that we might create maglevs for mass transit and then use balloons and mechanized glass domes for personal travel (#4, 7). People were right to guess that we’d have automated cars (#6, 17), but they clearly didn’t anticipate that such cars would be used mostly for corporate purposes.”

“Finally, as a university professor, I am desperately sad that we have not developed robots to rap students on the head when they are misbehaving as in image #10. Someone needs to start working on that immediately,” the professor commented.

The professor of science fiction studies also noted that it’s important to remember that these futures were not retro to the people who imagined them. “They were modern imaginings of the future, inspired by the cutting-edge sciences and avant-garde arts of the time.”

From the retrofuturist images that were generated between the 1880s and 1960s, “we get a great sense of the sciences and technologies that were most important to people of the past, including new modes of mass and personal transportation, new communication technologies, and new habitats for new forms of living (garden mega-cities and artificial ringworlds),” Lisa explained.

Lisa added that “people were inspired by the rise of modern cities and modern factories to imagine that we would enjoy many large, state- or corporate-sponsored public works projects—and that those projects would combine the best of the natural and technological worlds,” and added: “They are wholeheartedly utopian!”

Meanwhile, Lina Survila, a global tech PR and chief editor at Abstract Stylist, also told Bored Panda that “artists had the perfect vision, and it seems they were very close to the ideas we see today.”

Moreover, “Retro futurist aesthetics have touched every possible art form there is. Fashion is no exception. When we think of futurism in fashion and a bright vision of what the future might be, we think of Paco Rabanne. The Spanish fashion designer was active in the '60s and totally disrupted the fashion scene with retrofuturistic designs and his ideas of how people would dress in the future (most likely, that future is now).”

Retro ideas of how the future would look inspired many creators, artists, and thinkers, “from architect and designer Matti Suuronen (Futuro house created in the 1970s) to writer Isaac Asimov's book The Naked Sun.” Lina added that The Jetsons with their retrofuturistic flying cars also deserve a big shout-out in popularizing the movement’s aesthetics in popular culture.