This Artist Gives Animal Heads To People And The Result Is Freakishly Real
“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which,” George Orwell wrote in his thought-provoking, classic piece of literature, Animal Farm. When it comes to qualities of character, we often compare ourselves as well as other people with animals. Stubborn as a mule, greedy as a pig, we say. Alessandro Gallo is an Italian sculpture artist who compares humans not only to pigs but also donkeys, chickens, rabbits, and lizards and manages to find a connection between the two different forms of life. In his latest solo exhibition ‘Strange Encounters’, the artist navigates through the complex array of human emotions all while portraying them as half-human, half-animal humanoids. They all have something in common – they seek togetherness which is more elusive than ever before.
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Image credits: Alessandro Gallo
Alessandro Gallo is an artist who is renowned for sculpting hybrid, humanoid creatures which consist of human bodies and animal heads.
Image credits: Alessandro Gallo
The subjects are often found in mundane, everyday settings – they are riding the elevator or a subway, sitting on a couch of a therapist, texting someone, or eating chips. The familiar context and the unexpected twist of having a head of an animal turn Alessandro’s unique artworks into something that’s more than just a sculpture – it’s an invitation to seek answers and face uncomfortable truths.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
Born in 1974 in Genoa, Italy, Alessandro attended a university there where he studied law and earned his degree back in 1997. However, he much preferred drawing and painting over the law so, at the age of 24, he moved to London and enrolled at Saint Martin’s College of Art.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
During his studies, Alessandro was working as a painter and decorator – this is when he started experimenting with digitally altered images. Using Photoshop, he would place animals in familiar city settings such as polar bears standing on a subway platform. By 2005, the digital images started taking a physical form as Alessandro made his first realistic sculpture of a donkey in a suit.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
Apart from making these detailed artworks, Alessandro also draws, paints, and does digital collages. He takes inspiration from various forms of art – music, books, movies. He is also influenced by his own Italian identity as well as life in London where he resided for many years.
Image credits: Alessandro Gallo
The subjects of Alessandro’s works of art find themselves in mundane situations and settings of modern-day cities. He depicts his figures sitting on a subway train that look alienated from each other, each immersed in their own little universes.
Image credits: Alessandro Gallo
By placing his humanoids within the canvas of daily life, Alessandro sees his work as psychological portraits that explore themes of loneliness and alienation. Alessandro has already built a huge fanbase in Europe and critics think that his characters effectively embody the human inner world with all its vices.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
“Animals display biological features and behavioral patterns that can be extended to humans, lending themselves to embody the basic disposition of a person. animal heads represent our inclinations and background, like a genetic legacy from imaginary ancestors—but also some cultural belief or even simply a mood or a temporary state of mind,” Alessandro has explained to the media.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
Before making the actual sculpture, first and foremost, Alessandro takes a picture of a model. He takes photos of his human body models from multiple angles and the photographs are then used together with images from animal wildlife books. He completes his half-human, half-animal specimens with city-appropriate clothing, accessories, and even tattoos.
Image credits: Alessandro Gallo
Image credits: Alessandro Gallo
Why animals, though? “Animals display biological features and behavioral patterns that can be metaphorically extended to humans, lending themselves to embody, humorously, the basic disposition of a person,” Alessandro shared with the media.
Image credits: Alessandro Gallo
See the creative process of these amazing sculptures
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Share on FacebookThese are great! They're so much more than just a head globbed onto a body, he has really paid attention to the clothes/tattoos/accessories that add to the character. I esp like the rooster dad and his little son.
I like the one in the train. So lovely and realistic. Well done Alessandro.
The duck head for the one taking the selfie intentional assumedly? Like duck lips? Clever.
Personal taste but no I don't like them at all. But then I never really liked animals in human clothing like toad of toad hall etc. I could just about tolerate Peter rabbit because he only had one item of clothes on. I don't know what it is about animals in a full set of human clothing for me, but it just freaks me out. Lol
But we are animals, do you go around naked? If seeing animals in clothing makes you uncomfortable how do you wear clothes? How do you look at other people in clothes?
Load More Replies...This is so cool! It'd visually very attractive and creative, plus his attention to the details is amazing. Great technique !
I think that's the question of any work of art - why? You can't eat it or sleep on it. Can't drive it or wear it. Sometimes you can get paid, but not always. And yet we make art anyway. Because we want to communicate something beyond words. We want to be understood.
Load More Replies...These are great! They're so much more than just a head globbed onto a body, he has really paid attention to the clothes/tattoos/accessories that add to the character. I esp like the rooster dad and his little son.
I like the one in the train. So lovely and realistic. Well done Alessandro.
The duck head for the one taking the selfie intentional assumedly? Like duck lips? Clever.
Personal taste but no I don't like them at all. But then I never really liked animals in human clothing like toad of toad hall etc. I could just about tolerate Peter rabbit because he only had one item of clothes on. I don't know what it is about animals in a full set of human clothing for me, but it just freaks me out. Lol
But we are animals, do you go around naked? If seeing animals in clothing makes you uncomfortable how do you wear clothes? How do you look at other people in clothes?
Load More Replies...This is so cool! It'd visually very attractive and creative, plus his attention to the details is amazing. Great technique !
I think that's the question of any work of art - why? You can't eat it or sleep on it. Can't drive it or wear it. Sometimes you can get paid, but not always. And yet we make art anyway. Because we want to communicate something beyond words. We want to be understood.
Load More Replies...
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