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Flower Portraits By Isabelle Chapuis & Duy Anh Nhan Duc
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Art, Photography7 years ago

Flower Portraits By Isabelle Chapuis & Duy Anh Nhan Duc

“Dandelion” is the result of my creative encounter with the vegetal artist Duy Anh Nhan Duc. I am passionate about chrysalis’ material and he is obsessed with plants. It’s no wonder that our first collaboration has given birth to a dream-like creation, inspired by an elusive plant: the delicate dandelion. The series was part of RAISE Magazine’s #16 “Light” Issue.

The second project “Etamine” has also resulted of our creative collaboration. A fragile compositions of thousands of petals: carnations, anemones, irises and chrysanthemums merge with the skin. The series was published in OOB Magazine issue 02.

More info: isabellechapuis.com | duyanhnhanduc.com

Dandelion

Photographer: Isabelle Chapuis | Vegetal artist: Duy Anh Nhan Duc | Stylist: Coline Peyrot | Hair: Chiao Chenet + Karine Walzack, assisted by Mathieu Villalonga | Make up: Masaé Ito + Maki Ihara | Models: Charlie Melchiori + Terry @Karin Models | Assistant vegetal: Olivia Brunet | 1st photo assistant: Denis Mareau | Second assistant: Alexis Pichot

Etamine

Photographer: Isabelle Chapuis | Vegetal artist: Duy Anh Nhan Duc | Stylist: Julie Nivert | Hair & Make up: Masae Ito & Aya Murai | Models: Donghui Wei & Kevin Lucas | Assistant vegetal: Olivia Brunet | 1st photo assistant: Alexis Pichot

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HayleyLightcap
Community Member
7 years ago

That awkward moment when you have to sneeze but you can't

HayleyLightcap
Community Member
7 years ago

But really though these are beautiful

cest_nayce
Community Member
7 years ago

the dandelion series is so fragile and delicate, how did you manage to keep it on the models' faces? did it take too long to execute?

Load More Comments
HayleyLightcap
Community Member
7 years ago

That awkward moment when you have to sneeze but you can't

HayleyLightcap
Community Member
7 years ago

But really though these are beautiful

cest_nayce
Community Member
7 years ago

the dandelion series is so fragile and delicate, how did you manage to keep it on the models' faces? did it take too long to execute?

Load More Comments
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