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I'm a cartoonist who dreams of one day being in The New Yorker. It's near impossible, but hope springs eternal. Here are more of my rejected efforts.

I'd still be making these New Yorker cartoons regardless of the outcome because it seems I don't know any better. This has created an interesting situation; forcing me to examine (and reexamine) my reasons for trying out for the "show". Turns out; I love cartooning more than I thought. So, scribbling and searching out the absurd is, in my humble opinion, an excellent way to spend a few hours each day.

If you enjoy my illustrations, check out my previous post here on Bored Panda.

More info: johnart.org

#1

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MARIAN JESSICA VILLANUEVA
Community Member
4 years ago

Yeh

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The average cartoon from concept to completion usually takes 1 to 2 hours. Of course, there are exceptions where either the concept comes very quickly, or the gag isn’t being delivered as well as it could be. Sometimes it takes a few days to get the idea right.

I don’t have any personal favorites. I’d say that I’m more interested in creating consistently well-executed cartoons. Spending a little extra time on draftsmanship and clear ideas is what I strive to do. My favorites are the cartoons where I drew well and had a simple, understandable gag.

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    #2

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    Why?
    Community Member
    4 years ago

    It was my trigger finger.

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    #3

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    best turtle
    Community Member
    4 years ago

    was that during the wedding or before the marriage?

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    I tend to work on cartoons in batches. I’ll go to my local coffee shop with a pad and paper. Sometimes I’ll take my 18-year-old daughter with me and test out ideas on her. I think some of my best cartoons come from her input. I write down concepts in a rough list. I’ll make notes of how I’d like to draw the idea and what seems to be the funniest way to execute it.

    I try to get at least 10 strong ideas down on paper before I ever think about real sketching. Once I feel committed to an idea/gag, I’ll sketch a bit and get the concept and background ironed out. I like to keep my sketches very loose, so I don’t lose any spontaneity during the inking phase. Ideally, I strive to execute 10 (or more) strong ideas per week.

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    #4

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    Gogeta Blue
    Community Member
    4 years ago

    This is just my mind, but it looks wrong

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    #5

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    1010011 1001110
    Community Member
    4 years ago

    Oh no

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    Some days I just don’t feel funny or have the juice to find absurdity in what’s going on around me. There are times I must force myself to sit down with my pad of paper and start kicking around ideas. Consistency is key. If I do it every day, I’ll have more to show for my effort. Even if my list of ideas is weak, the exercise still makes me better. I admire anyone who can do this well. For me, it ebbs and flows.

    I think spending too much time honing a unique style can get in the way of productivity. Not that it should be ignored, but executing a well-drawn, conceptual cartoon should be the focus. Style usually comes on its own once the artist commits to creating on a regular basis.

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    #6

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    Why?
    Community Member
    4 years ago

    A rye joke!

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    #7

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    Mary Rose Kent
    Community Member
    4 years ago

    That is a very sophisticated gambit for a child!

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    As for the future, I’d like to continue getting published. The New Yorker would still be a nice get. Of course, that requires quantity and consistency. Two things I work very hard at. I’m working on three children’s books at the moment. I’d be happy to see them completed.

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    #8

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    Mary Rose Kent
    Community Member
    4 years ago

    As a long-ago fencer, I want to say great job of getting the gazelle in a very believable advance position!

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    #9

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    IrrelevantNonsense
    Community Member
    4 years ago

    I’d choose a fist bump over a butt sniff any day..don’t know ‘bout y’all tho.,.

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    #10

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    Merri Leatherwood
    Community Member
    4 years ago

    Lol 😅 That's funny? I get it cause I have tremors too! 😂

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    #11

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    Bear Hall
    Community Member
    4 years ago

    ????

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    #12

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    Why?
    Community Member
    4 years ago

    You always were a bit harebrained.

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    #13

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    Me Oh My
    Community Member
    4 years ago

    My my my, how the turns have tabled.

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    #14

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    Why?
    Community Member
    4 years ago

    This little piggy went ... Wee, wee, wee, all the way home!

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    #15

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    Daniel Marsh
    Community Member
    4 years ago

    Is this a meta joke?

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    #16

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    Mary Rose Kent
    Community Member
    4 years ago

    Laughed Out Loud!

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    #17

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    Lukyan Terdal
    Community Member
    4 years ago (edited)

    Prison turns you into a mid-tier Batman villain?

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    #18

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    best turtle
    Community Member
    4 years ago

    dont be a smart ass

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    #19

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    IrrelevantNonsense
    Community Member
    4 years ago

    I’d haul ass outta there if I saw that-

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    #20

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    rspanther
    Community Member
    4 years ago

    Those really aren't good for you, their diet is terrible, and the liver is shot from too many three martini lunches. The old ones the meat is too tough. The young one are just to greasy, or is it slime? I'm not sure on that.

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    #21

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    best turtle
    Community Member
    4 years ago

    yall already know my opinion with tentacles

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    #22

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    Why?
    Community Member
    4 years ago

    Looks like he's had years of expertise.

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    #23

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    Harry pottsh
    Community Member
    4 years ago

    Cows die if there not milked tho. what I would hate was being kicked in the @ss for trying to keep it alive. ( nearly happend at a fair when i was like 8)

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    #24

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    Mine Truly
    Community Member
    4 years ago

    If these got rejected, maybe you can try submitting cartoons that address topics in some of New Yorker's articles? Like, find a specific article and then make a cartoon related to it? Just an idea, I don't know how this industry works.

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    #25

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    Daniel Marsh
    Community Member
    4 years ago

    ???

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