Sketched using a parallel pen. Compound portraits.
All are on A3 heavy cartridge paper.
I’m interested in the contradiction in compound unrelated portraits, and the license playing with the implications of contradicting portraits gives me with paint. As usual with me the studies become looser as I progress through them, I think?
Reciprocal Heading
Central Reservation
How Convenient
Profile Elevation
Max Doubt
Binary Profile
Angst Acolyte
Coetaneous
Social Slice
Exit Wound
Questionable Virtue
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