In June 2017, I went to Deauville in France to create a photography project which would be exhibited during the Planche(s) Contact Festival. As soon as I arrived there, coming from Romania, I started to question myself about who I was in relation with the city – was I tourist? Was I an artist? Was I a woman? Was I Romanian? All I knew is that I was not from there; I was a stranger.

I decided to express my “strangeness” by wearing three costumes which would cover my whole body, head to toe. I was able to immerse myself in various locations of Deauville and interact with them both physically and emotionally. The houses, the beach, the Pompeian baths, the orphanage, they all seemed exotic to me and perhaps I was just as exotic to them. Through my “second skin” I could see only partially, like from within a veil, the faces of the people who passed by me – some smiling and perceiving me as a performer, while others – especially the crowds – simply minding their own way.

For two weeks I kept questioning myself regarding the feelings which accompanied my various encounters with the unknown – from pry, wonder and a deep urge to adapt, to uneasiness and unbelongingness. The costumes made me both visible and invisible at the same time – I was noticed because I wore striking suits, yet nobody could see beyond my opaque skin which left no room for particularities.

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