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Photographer Takes Pics Of People In Public From 2 Perspectives And It Shows How Easily The Media Can Manipulate Reality
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Photographer Takes Pics Of People In Public From 2 Perspectives And It Shows How Easily The Media Can Manipulate Reality

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Perception is reality until proven otherwise. But our perception may change in an instant depending on exactly how much we know. Recently, two Danish photographers have taken this idea to a whole new level.

In these times of fake news, it’s hard to know what’s real anymore. Media manipulation is rife in some of the largest reporting outlets around the world. How do we know, from the pictures alone, that biased news articles and stories aren’t secretly being fed to us? It turns out, we can’t.

Photographers Ólafur Steinar Gestsson and Philip Davali conducted an experiment for the photo agency Ritzau Scanpix. The Copenhagen-based artists used their cameras and certain optical illusions to capture the same people chilling out outside on the same day. The trick was to use two different lenses — a wide-angle lens and a telephoto lens — to create certain perspectives. Their photography techniques show a staggering difference in the perceived distance between these people. It makes us wonder if the journalism code of ethics is always being followed by photographers too.

More info: InstagramTwitterRitzau Scanpix

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    Telephoto-lens

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Wide angle

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Bored Panda contacted Kristian Djurhuus, the editorial manager at Ritzau Scanpix, who appointed Philip Davali and Ólafur Steinar Rye Gestsson for this shoot, to find out more about the project.

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    Kristian told us how he came up with the idea: “The proximity of people has widely been debated in Denmark in the past weeks. Danish politicians and authorities have frequently referred to images which they believed to show members of the public behaving in disagreement with the general guidelines.”

    Telephoto-lens

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Wide angle

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    As a national photo news agency that supplies important visual coverage, Kristian became aware that their “contribution could be misread”. With regards to media manipulation, the choice of angle and perspective is now equally as important as the image being shot. Now, basic photography techniques have taken on a darker, new meaning. But this wasn’t always the way. “The technical choices have never been a politically debatable issue in the history of photography,” said Kristian.

    Telephoto-lens

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    “As producers of photography, we have a responsibility to draw attention to the fact that images in some cases do not show the proximity of objects as people seem to believe,” he continued.

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    “The right solution would be to clarify the circumstances in the captions of the images so that they won’t be misread.”

    Wide angle

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Telephoto-lens

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

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    Wide angle

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Telephoto-lens

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    The wide-angle lens is similar to the way our eyes see. Ólafur Steinar Gestsson explained to a local Danish website: “it takes wider pictures, and as a photographer, you use it when you are close to what you need to photograph.” Similar types of cameras are built into our iPhones, helping us to capture images the way that we imagine them.

    Meanwhile, the telephoto lens is the long lens used to photograph press meetings, football matches, and any situation where the subject is far away. “It gets closer to what you are photographing, and in a way, it pulls the subject together,” he said.

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    Wide angle

    Image credits: EPA / Philip Davali / Olafur Steinar RyE

    Ólafur told TV2 that viewers should be aware of the lens and equipment photographers used to take a particular picture. “If there was a description in the caption of how the image was taken, the editor would have the freedom to choose.” According to him, photographers “must always keep in mind how we do our job”. So, if reporting is to be fair and unbiased, perhaps a new journalism code of ethics should be drawn up for photographers too.

    This is what people had to say about it

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    The National Press Photographers Association (NPPA) has published a journalism code of ethics for their members, but really, any budding photojournalist should follow their advice. Here are a few notable takeaways:

    “Be accurate in the representation of subjects. Resist being manipulated by staged photo opportunities. Be complete and provide context when photographing or recording subjects.”

    If reporting is to be fair and unbiased, it’s up to the reporters to uphold their standards. And you can see how easy it is to manipulate people with just a lens and a certain angle.

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    Liucija Adomaite

    Liucija Adomaite

    Author, Community member

    Read more »

    Liucija Adomaite is a creative mind with years of experience in copywriting. She has a dynamic set of experiences from advertising, academia, and journalism. This time, she has set out on a journey to investigate the ways in which we communicate ideas on a large scale. Her current mission is to find a magic formula for how to make ideas, news, and other such things spread like a virus.

    Read less »
    Liucija Adomaite

    Liucija Adomaite

    Author, Community member

    Liucija Adomaite is a creative mind with years of experience in copywriting. She has a dynamic set of experiences from advertising, academia, and journalism. This time, she has set out on a journey to investigate the ways in which we communicate ideas on a large scale. Her current mission is to find a magic formula for how to make ideas, news, and other such things spread like a virus.

    Denis Tymulis

    Denis Tymulis

    Author, Community member

    Read more »

    Denis is a photo editor at Bored Panda. After getting his bachelor's degree in Multimedia and Computer Design, he tried to succeed in digital design, advertising, and branding. Also, Denis really enjoys sports and loves everything related to board sports and water.

    Read less »

    Denis Tymulis

    Denis Tymulis

    Author, Community member

    Denis is a photo editor at Bored Panda. After getting his bachelor's degree in Multimedia and Computer Design, he tried to succeed in digital design, advertising, and branding. Also, Denis really enjoys sports and loves everything related to board sports and water.

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    ritaggph avatar
    RitaGG
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    And why don't photographers show a third perspective, a normal lens? You know, reality?

    emilymueller143 avatar
    Emily Selway
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Even a "normal" lens, (most photographers would consider that to be a 50mm) compresses things to an extent, especially from certain angles. Photographs just can't show full 3D reality in 2d

    Load More Replies...
    dariab_1 avatar
    Daria B
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    To all of you, who complain how "no one ever reports about *insert topic of concern*". Well, yet you know about that, how? If you're not an insider, it means that SOMEONE actually is reporting about these things....

    culmone10 avatar
    Giovanni
    Community Member
    4 years ago (edited) DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Every time someone reports on something of which i'm an insider i can't help but notice how everything is so distorted that it has little to do with reality. I've accepted the fact that being informed is basically impossible.

    Load More Replies...
    Load More Comments
    ritaggph avatar
    RitaGG
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    And why don't photographers show a third perspective, a normal lens? You know, reality?

    emilymueller143 avatar
    Emily Selway
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Even a "normal" lens, (most photographers would consider that to be a 50mm) compresses things to an extent, especially from certain angles. Photographs just can't show full 3D reality in 2d

    Load More Replies...
    dariab_1 avatar
    Daria B
    Community Member
    4 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    To all of you, who complain how "no one ever reports about *insert topic of concern*". Well, yet you know about that, how? If you're not an insider, it means that SOMEONE actually is reporting about these things....

    culmone10 avatar
    Giovanni
    Community Member
    4 years ago (edited) DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Every time someone reports on something of which i'm an insider i can't help but notice how everything is so distorted that it has little to do with reality. I've accepted the fact that being informed is basically impossible.

    Load More Replies...
    Load More Comments
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