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This Artist Uses Destruction To Rethink History And Memory (30 Pics)
Interview With Artist
Valerie Hegarty builds her work on that fragile edge between beauty and decay, creating sculptures and paintings that appear to be crumbling, melting, or collapsing right before your eyes. At first glance, her pieces resemble historical artifacts or classical artworks, but look closer, and you’ll find them unraveling, as if time itself had accelerated just for them.
Based in New York City, Hegarty explores memory, place, and history through a deeply tactile process. Using materials like wood, canvas, papier-mâché, and epoxy, she reconstructs familiar forms only to disrupt them, turning preservation into transformation. Her works don’t just reference the past; they question how we remember it, how we preserve it, and what happens when those structures begin to fall apart.
More info: valeriehegarty.com | Instagram
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#1
Shell Venus
An art historical painting of a reclining nude has the lower half of its body twisted into a spiral to create the form of a shell. The beauty of the sculpture's form belies its violence. The sculpture portrays a physical manifestation of conflating woman with nature.
Hegarty’s practice often begins with something personal, but it quickly expands into a broader conversation with art history and current events. Her pieces echo traditional American paintings and antique objects, yet they are deliberately altered—burned, cracked, or overtaken by natural forces. This tension creates an uncanny effect, where viewers are caught between recognition and surprise.
One of her most intriguing approaches is what she calls “reverse archaeology.” Instead of digging into the past, Hegarty builds up layers, covering walls and surfaces with painted paper, only to scrape them away. The result is a kind of material memory, where traces of what once was remain embedded in the space, like echoes refusing to disappear.
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#2
Watermelon Tongue
In Watermelon Tongue, Hegarty anthropomorphizes a common 19th Century still life through a long, tongue-like form that protrudes from a partially eaten wedge of watermelon. The piece takes its inspiration from the recent phenomenon of exploding watermelons in China where crops were sprayed with the wrong growth hormones causing the insides to grow faster than the outsides. The watermelon appears to mock or salivate over the nearby portrait, Girl in White with Flowers as the appendage swells away from the canvas, and leers at the painting. The cumulative effect of the work in the exhibition goes further than to just taunt, it gloats in the face of the viewer, pointing the blame of pandemic avarice and desire back to mankind.
The artist shared in the interview with Bored Panda that people take away from her artworks that cultural ideals—especially those tied to beauty, history, and nature—are not fixed or pristine, but constructed, unstable, and subject to decay.
Asked which piece feels especially meaningful to her, Hegarty noted "Death Mask with Sparrow" since she had an early cancer diagnosis in 2017 and had to grapple with questions about her mortality.
"I love this piece because as the sparrow is being tricked by the illusionistic painting of the moth, it's pulling at the canvas stretches the skull into a mask," the artist shared and explained that there is the implication that death is an illusion also.
"I think of the activity of the birds in the springtime as bringing life to the painting about death. There is a humor to the work that I enjoy, letting us laugh at this image of death."
In Hegarty's Reclining Shells series, conch shells are melded to the reclining legs of classical nudes in art history. The artist explained that she wanted the form to be both sensual and uncanny.
"The shell’s opening, positioned between the legs, evokes female anatomy, linking natural forms to art history’s tradition of the Venus. The work shifts from idealized beauty toward a more visceral, embodied presence," she explained and added that it's meant to make the viewer uncomfortable, as if revealing the real subject of the male gaze that is hidden behind the aesthetics.
"The piece questions how femininity, desire, and the female body have been constructed and objectified over time."
#6
Sunset Ship Shell
A Conch shell appears to be turning into a painting of a boat sailing into the sunset, or the painting appears to be deteriorating and turning into a shell. I thought of this sculpture as being about the end of an empire, as the boat sinks into the dark hollow of the shell, it's history of colonization imprinted on the environment and archived in this hidden interior.
#7
Moon Shell With Clipper Ship
A moon shell reveals the bow of a clipper ship, the ship’s sails matching the striations on the shell. The interior of the shell reveals a swirling blue sea where a clipper ship is circling as if going down the drain.
#8
Unique Handmade Edition Of 10 Of Reclining Shells
#9
Clipper Ship With Conch Shell
A painting of a clipper ship appears to be turning into a conch shell or a conch shell is unraveling into a painting of a clipper ship. The beauty of the form belies a more sinister message about manifest destiny and colonization.
#15
First Harvest In The Wilderness With Woodpecker
#17
George Washington Melted
#18
Sinking Ship
Inspired by the current political climate and Edgar Allen Poe’s short story “The Malestrom”, half a clipper ship painting seems to have hit a storm and is falling off the edge of the painting frame (or the world) dripping water or paint on the floor. The materials of the painting are now turning into the structure of the boat, with the canvas becoming sails and the stretcher bars becoming a mast.
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