People On This Group Are Sharing Examples Of ‘Urban Hell’ That Look Like A Dystopian Movie But Are Sadly Real (40 New Pics)

To find out more about urban living and the downsides of it, Bored Panda reached out to Lisa Yaszek, a Regents Professor of Science Fiction Studies at Georgia Tech, where she researches and teaches science fiction as a global language crossing centuries, continents, and cultures.

“The traditional advantage of urban life is that cities are engines of technoscientific development and cultural exchange, and that is true now more than ever, as we see new megacities of 10 million or more people springing up around the world,” Lisa explained.

According to the professor, since the development of large industrial cities in the 1800s, the downsides of urban living have become increasingly evident. “Cities organized around factories and power plants tend to be environmental disasters, with clouds of pollution sometimes literally blotting out the sun and preventing the growth of anything green on the ground.”

Another downside is that “industrial and postindustrial cities also tend to attract disproportionate numbers of both highly skilled workers (often in finance or business) and unskilled laborers (often in factories or domestic work). As such, they make evident the very real and increasing gap between the rich and the poor.”

“Finally, cities tend to be surrounded by suburbs with single-family homes that, in theory, offer a better balance between nature and technology. In practice, however, suburbs have their own problems: their emphasis on visual uniformity is often part of a larger tendency toward cultural segregation, and the need to drive everywhere—including in and out of the city—only adds to our current environmental problems,” Lisa explained.

When asked whether we can go backward and undo the harm that historic urban development practices have done to the physical world around us, Lisa said that she doesn’t think it’s possible. “But I do believe we can go forward in new ways,” she added.

“In particular, we can learn from our mistakes and rehabilitate the spaces we’ve already created, rather than simply abandoning or bulldozing over them. We can do this by either inventing new or recovering old technoscientific practices that better respect the coincidence between nature and culture and by practicing a different kind of urban design that springs from the lived reality of city-dwellers, rather than the abstract theorizing of planners and developers who often live in spaces far removed from the cities they design.”

Lisa explained that if this sounds like utopian science fiction, that’s because it is. “Before Lang riveted the world with his image of the city as a gray, vertical dystopia that destroys nature and literally increases the gulf between rich and poor, stories by women of color including Bengali author Rokheya Hossain’s 'Sultana’s Dream' (1905) and American writer Pauline Hopkins’s Of One Blood (1902) presented readers with an alternative to urban hell: the 'garden megacity' that runs on solar power and where the equality of all people, regardless of race or gender, is made literal through horizontal urban design.”

The professor continued: “In the 1970s, American author and New York City dweller Samuel R. Delany’s Triton and Dhalgren rebutted the narrative of 'white flight' from permanently ruined cities by celebrating the excitement he saw in the women, people of color, and LGBTQ+ people around him moving into cities and making them their own. This led Delany to imagine what he called 'heterotopian' urban spaces where people use technology and art to create so many new identities and communities that it becomes impossible for one group to economically or politically dominate another.”

“More recently, works including Caribbean-Canadian author Nalo Hopkinson’s Brown Girl in the Ring (1998); Nigerian digital artist Olelekan Jeyifous’s 'Shanty Megastructures' (2015) and 'Frozen Zone' (2021), and American filmmaker Ryan Coogler’s Black Panther (2018) have created what I call a 'nutopian' tradition of speculative storytelling celebrating how indigenous peoples around the world draw and weave together their own diverse knowledge systems with Western ones to begin the long but literally fruitful process of reclaiming urban spaces and creating better futures for all,” the professor explains.