After my Mag+Art this is the latest addition in my +Art digital collage series. I was inspired by one of my followers’ request to combine movie posters and classical paintings.
I tweaked the idea and used old and new Criterion covers instead. I love art house cinema, and I think this will be a good tribute.
More info: Behance
“Blue is the Warmest Color” by Abdellatif Kechiche + “Damon and Aglae” by Solomon Simeon
“AntiChrist” by Lars Von Trier + “Danae Artemisia” by Gentileschi
“The Battle of Algiers” by Gillo Pontecorvo + “Creation of Adam” by Michelangelo
“Days of Heaven” by Terrence Malick + “Christina’s World” by Andrew Wyeth
“In the Mood for Love” by Wong Kar-Wai + “Portrait of Mlle. L.L. (Young Lady in a Red Jacket)” by James Tissot
“The Last Temptation of Christ” by Martin Scorsese + “Portrait of Oswald Achenbach” by Ludwig des Coudres
“L’Avventura” by Michelangelo Antonioni + “The Proposal” by Frederick Morgan
“Le Bonheur” by Agnes Varda + “Sunflowers” by Vincent van Gogh
“The Marriage of Maria Braun” by Rainer Werner Fassbinder + “Girl with Cherries” by Giovanni Ambrogio de Predis
“Modern Times” by Charlie Chaplin + “The Son of Man” by René Magritte
“Pierrot Le Fou” by Jean-Luc Godard + “Feeding the pigeons” by Antonio Ermolao Paoletti
“Bicycle Thieves” by Vittorio De Sica + “John M. Denny” by George Henry
“Casque D’Or” by Jacques Becker + “Portrait of Eliza Franciszka of Branicki Krasińska” by Franz Xaver Winterhalter
“Diary of a Chambermaid” by Luis Buñuel + “The Girl with Green Eyes” by Henri Matisse
“The Man Who Fell to Earth” by Nicolas Roeg + “John Jay” by Gilbert Stuart and John Trumbull
“Naked Lunch” by David Cronenberg + “Le Pont de L’Europe” by Gustave Caillebotte (detail)
“Salo” by Pier Paolo Pasolini + “In the Nursery” by Albert Edelfelt
“The River” by Jean Renoir + “Almina, Daughter of Asher Wertheimer” by John Singer Sargent
“The Seventh Seal” by Ingmar Bergman + “Un matin devant la porte du Louvre” by Édouard Debat-Ponsan
“Like Someone in Love” by Abbas Kiarostame + “L’Odalisque à l’esclave” by Jean-Auguste-Dominique Ingres
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