The painting of the “Cyber Mother” depicts the reproductive forces that are present within the Cosmos, where the Universe can be seen as feminine, and our modern myth about the artificial intelligence of robots is a positive one.
We discover the Universe as a clot of energy at it’s center, from which different bots (automata) are emerging into a liberating light. These beings themselves are like mechanical snowmen, which have been drawn from the center. Yet the center of this image is actually its egress, the point of departure for the painting is the entrance of the figure of the Cyber Mother.
The effort of extricating themselves from this “center” is fatal to the robots, they are killed by the discharge of energy involved in their break for freedom. This fatality is observable from their change from white to red to black. The Cyber Mother does not want these automata to return to her.
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